Heinrich Ignaz Franz von Biber, Freiburger Barockorchester's 'Sonata No. 1 a otto in C major' came out on 1990. With this song being about 5 minutes long, at 4:38, "Sonata No. 1 a otto in C major" by Heinrich Ignaz Franz von Biber, Freiburger Barockorchester is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 183 in Freiburger Barockorchester-Edition by Freiburger Barockorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Sonata No. 1 a otto in C major's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 1 a otto in C major by Heinrich Ignaz Franz von Biber, Freiburger Barockorchester is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mystery (Rosary) Sonata No. 5, "The 12-Year-Old Jesus in the Temple": III. Gigue | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 2 | 4B | 76 BPM | ||
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: I. Andante Lento | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
Concerto for violoncello piccolo in G Major, RV. 414: II. Largo | Antonio Vivaldi, Ophélie Gaillard, Pulcinella Orchestra | E♭ Minor | 2 | 2A | 99 BPM | ||
Mystery (Rosary) Sonata No. 6, "Christ on the Mount of Olives"*: II. Presto | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D Major | 1 | 10B | 110 BPM | ||
Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Flute Concerto in D Minor, RV 431a "Il gran mogol": II. Larghetto | Antonio Vivaldi, Barthold Kuijken, Indianapolis Baroque Orchestra | B♭ Major | 4 | 6B | 129 BPM |
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