Wolfgang Amadeus Mozart, William Shimell/Samuel Ramey/Carol Vaness/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker made "Mozart: Don Giovanni, K. 527, Act 2 Scene 14: Recitativo, "L'ultima prova dell'amor mio" (Donna Elvira, Don Giovanni, Leporello)" available on October 31, 1988. The duration of Mozart: Don Giovanni, K. 527, Act 2 Scene 14: Recitativo, "L'ultima prova dell'amor mio" (Donna Elvira, Don Giovanni, Leporello) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Mozart: Don Giovanni, K. 527, Act 2 Scene 14: Recitativo, "L'ultima prova dell'amor mio" (Donna Elvira, Don Giovanni, Leporello)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 11 out of 214. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mozart: Don Giovanni, K. 527, Act 2 Scene 14: Recitativo, "L'ultima prova dell'amor mio" (Donna Elvira, Don Giovanni, Leporello) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 2 Scene 14: Recitativo, "L'ultima prova dell'amor mio" (Donna Elvira, Don Giovanni, Leporello) by Wolfgang Amadeus Mozart, William Shimell/Samuel Ramey/Carol Vaness/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 1: "Una parola..chiedi all'aura" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 79 BPM | ||
Die Walküre / Erster Aufzug: "Kühlende Labung gab mir der Quell" | Richard Wagner, James King, Régine Crespin, Wiener Philharmoniker, Sir Georg Solti | F Major | 0 | 7B | 88 BPM | ||
La Bohème / Act 1: "Io resto" | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 93 BPM | ||
Verdi: Messa da Requiem: VI. Quid sum miser | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Luciano Pavarotti, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Recitativo - E Susanna Non Vien! | Donato Di Stefano, Maria Pia Ionata, Hungarian State Opera Orchestra, Roberto Frontali, Natale de Carolis, Jozsef Mukk, Patrizia Pace, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | A Minor | 0 | 8A | 73 BPM | ||
Stabat Mater: Quando corpus morietur | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | E♭ Major | 1 | 5B | 74 BPM | ||
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Ach! | Leoš Janáček, Lucia Popp, Richard Novak, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Charles Mackerras | F♯ Major | 2 | 2B | 97 BPM | ||
Pagliacci / Act 1: "I zampognari!" | Ruggero Leoncavallo, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 2 | 8B | 122 BPM | ||
L'Italiana in Algeri (The Italian Girl in Algiers): Act II Scene 4: Aria: Ho un gran peso sulla testa (Taddeo, Chorus) | Gioachino Rossini, Lorenzo Regazzo, Ruth Gonzalez, Elsa Giannoulidou, Giulio Mastrototaro, Lawrence Brownlee, Marianna Pizzolato, Bruno De Simone, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Alberto Zedda | B Minor | 0 | 10A | 111 BPM | ||
Madama Butterfly / Act 1: Ieri son salita tutta sola in segreto alla Missione | Giacomo Puccini, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 61 BPM |
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