Leoš Janáček, Lucia Popp, Richard Novak, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Charles Mackerras's 'The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Ach!' came out on January 1, 1982. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Leoš Janáček, Lucia Popp, Dalibor Jedlicka, Wiener Philharmoniker, Sir Charles Mackerras's "Janácek: The Cunning Little Vixen" album is number 12 out of 31. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Ach! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Ach! by Leoš Janáček, Lucia Popp, Richard Novak, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Charles Mackerras to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Piano Sonata No. 2 In A Major, Op. 2, No. 2: 2. Largo appassionato | Ludwig van Beethoven, Daniel Barenboim | D Major | 0 | 10B | 72 BPM | ||
Lyric Pieces, Op. 43: No. 6 To Spring | Lang Lang | F♯ Major | 1 | 2B | 130 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
The Seasons, Op. 37b: X. October (Autumn Song) | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D Minor | 0 | 7A | 78 BPM | ||
Debussy: Piano Trio in G Major, L. 5: I. Andantino con moto allegro | Claude Debussy, Bertrand Chamayou | C Major | 1 | 8B | 80 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
Oriental (Arr. for Harp & Guitar) | Enrique Granados, Duo Multicorde | E Minor | 0 | 9A | 92 BPM | ||
Nacht und Träume, Op. 43 No. 2, D. 827 | Franz Schubert, Harriet Krijgh, Magda Amara | E Major | 1 | 12B | 80 BPM |
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