Giuseppe Verdi, Luciano Pavarotti, Noelle Roberts, Orchestra of the Royal Opera House, Covent Garden, Carlo Felice Cillario's 'La traviata, Act II: Annina, donde vieni? - Live in London, 1965' came out on January 1, 2010. With La traviata, Act II: Annina, donde vieni? - Live in London, 1965 being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Luciano Pavarotti's "Luciano Pavarotti: The Ultimate Collection Live – Over 100 Tracks Live in Concert and at the Opera" album is number 44 out of 115. On top of that, United States appears to be the country where this track was created. La traviata, Act II: Annina, donde vieni? - Live in London, 1965 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La traviata, Act II: Annina, donde vieni? - Live in London, 1965 by Giuseppe Verdi, Luciano Pavarotti, Noelle Roberts, Orchestra of the Royal Opera House, Covent Garden, Carlo Felice Cillario to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
La Traviata: Act I: Sempre libera | Giuseppe Verdi, Fernando Previtali, Rome Opera Orchestra | A♭ Major | 1 | 4B | 178 BPM | ||
Perpetuum mobile, Op. 257 | Johann Strauss II, Wiener Philharmoniker, Lorin Maazel | E♭ Major | 2 | 5B | 81 BPM | ||
Nabucco, Act III: "Va', pensiero" (Chorus Of The Hebrew Slaves) | Giuseppe Verdi, Temistocle Solera, Opera Queensland Chorus, Johannes Fritzsch, Queensland Symphony Orchestra | D♭ Major | 1 | 3B | 143 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) | Gioachino Rossini, Maria Callas, Alceo Galliera, Philharmonia Orchestra | E Major | 0 | 12B | 87 BPM | ||
Il Barbiere di Siviglia: Largo al factotum | Gioachino Rossini, Riccardo Chailly, Leo Nucci, Orchestra Del Teatro Alla Scala, Milano | C Major | 3 | 8B | 71 BPM | ||
La traviata / Act 3: Prelude | Giuseppe Verdi, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 0 | 4B | 96 BPM | ||
La fille du régiment / Act 1: "Pour mon âme quel destin" | Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 66 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Jonas Kaufmann, Giacomo Puccini, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 3 | 4B | 68 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM |
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