"Das Sühnopfer des neuen Bundes, Pt. 2: No. 24, Lass ihn kreuzigen - Nun denn, ich bin unschuldig" by Carl Loewe, Georg Poplutz, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper was released on March 8, 2019. With Das Sühnopfer des neuen Bundes, Pt. 2: No. 24, Lass ihn kreuzigen - Nun denn, ich bin unschuldig being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper's "Loewe: Das Sühnopfer des neuen Bundes" album is number 24 out of 46. On top of that, Germany appears to be the country where this track was created. Das Sühnopfer des neuen Bundes, Pt. 2: No. 24, Lass ihn kreuzigen - Nun denn, ich bin unschuldig is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Das Sühnopfer des neuen Bundes, Pt. 2: No. 24, Lass ihn kreuzigen - Nun denn, ich bin unschuldig by Carl Loewe, Georg Poplutz, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa solemnis in D major, Op. 123: III. Credo: Amen. Grave | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 1 | 10B | 74 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Daran ist erschienen die Liebe Gottes, TWV 1:165: Chorus: Du heiliges Licht, edler Hort | Georg Philipp Telemann, Stefanie Wüst, Angela Froemer, Georg Poplutz, Jens Hamann, Siegen Collegium Vocale, Hannoversche Hofkapelle, Ulrich Stötzel | F♯ Major | 1 | 2B | 113 BPM | ||
Ave maris stella | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Elizabeth Nurse, Colin Danskin, Daniel Tate | B Minor | 2 | 10A | 71 BPM | ||
Das Sühnopfer des neuen Bundes, Pt. 2: No. 26, Ach seht, der allen wohlgethan | Carl Loewe, Ulrike Malotta, L'Arpa Festante Baroque Orchestra, Thomas Gropper | G Major | 2 | 9B | 82 BPM | ||
Concerti Grossi, Op. 7: No. 6 in B-Flat Major, Op 7: I. Allegro Moderato - Studio Recording | Francesco Geminiani, I Musici | B♭ Major | 2 | 6B | 65 BPM | ||
Liebeslieder-Walzer, Op. 52: No. 10, O wie sanft die Quelle sich | Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers | C Major | 0 | 8B | 177 BPM | ||
Johann Huss, Op. 82, Pt. 1: Introduction: Im Jahre vierzehn war's nach vierzehnhundert | Carl Loewe, Thomas Gropper, L'arpa Festante, Monika Mauch, Ulrike Malotta, Georg Poplutz, Dominik Worner | B Minor | 2 | 10A | 87 BPM | ||
Ich weiss, dass mein Erloser leb, TWV 1:873: Dictum | Georg Philipp Telemann, Stefanie Wüst, Angela Froemer, Georg Poplutz, Jens Hamann, Siegen Collegium Vocale, Hannoversche Hofkapelle, Ulrich Stötzel | B Major | 1 | 1B | 115 BPM | ||
XVIII. Gehe hin mein Volk | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM |
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