"Das Sühnopfer des neuen Bundes, Pt. 2: No. 26, Ach seht, der allen wohlgethan" by Carl Loewe, Ulrike Malotta, L'Arpa Festante Baroque Orchestra, Thomas Gropper was released on March 8, 2019. The duration of Das Sühnopfer des neuen Bundes, Pt. 2: No. 26, Ach seht, der allen wohlgethan is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Das Sühnopfer des neuen Bundes, Pt. 2: No. 26, Ach seht, der allen wohlgethan's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper's "Loewe: Das Sühnopfer des neuen Bundes" album is number 26 out of 46. On top of that, Germany appears to be the country where this track was created. Das Sühnopfer des neuen Bundes, Pt. 2: No. 26, Ach seht, der allen wohlgethan is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Das Sühnopfer des neuen Bundes, Pt. 2: No. 26, Ach seht, der allen wohlgethan by Carl Loewe, Ulrike Malotta, L'Arpa Festante Baroque Orchestra, Thomas Gropper to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum: XIII. In te Domine speravi | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Ein deutsches Requiem, Op. 45: Selig sind, die da Leid tragen - Arr. for Voices and 2 Pianos | Johannes Brahms, Rundfunkchor Berlin, Simon Halsey, Philip Mayers, Phillip Moll | F Major | 0 | 7B | 76 BPM | ||
Télémaque & Calypso, Prologue Scene 1: Descendez, régnez sur la terre (Les vertus, les muses et les arts) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Les Chantres du Centre de Musique Baroque de Versailles | F Minor | 3 | 4A | 85 BPM | ||
Tönet die Freude, belebte Trompeten, TVWV 1:1410: XII. 04 Chor "Amen! Lob und Ehre" | Georg Philipp Telemann, Das Kleine Konzert, Hermann Max, Veronika Winter, Anne Bierwirth, Georg Poplutz, Matthias Vieweg | D♭ Major | 3 | 3B | 101 BPM | ||
Requiem in C Minor, MH 155: I. Introitus: Requiem aeternam – Kyrie eleison | Michael Haydn, James Gilchrist, Choir of The King's Consort, Peter Harvey, Robert King, The King's Consort, Carolyn Sampson, Hilary Summers | C Major | 2 | 8B | 81 BPM | ||
Charpentier: Te Deum, H. 146: XI. Fiat misericordia | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Monologue | Alexander Därr | C Major | 0 | 8B | 174 BPM | ||
Die Schöpfung, Hob. XXI:2, Erster Teil: IX. Arie "Nun beut die Flur das frische Grün" | Joseph Haydn, Orchestre des Champs-Élysées, Philippe Herreweghe, Christina Landshamer | A Major | 0 | 11B | 79 BPM | ||
Misa Tango: I. Kyrie | MartÍn Palmeri, Astoria, Philippe Gérard | G Minor | 0 | 6A | 112 BPM | ||
Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM |
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