"Macbeth: "Ah La Paterna Mano"" by Eliezer Kepecs, Antonello Gotta, Compagnia d'Opera Italiana Orchestra was released on December 2, 2013. The duration of Macbeth: "Ah La Paterna Mano" is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Macbeth: "Ah La Paterna Mano"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Eliezer Kepecs's "Introducing... Eliezer Kepecs' Greatest Hits" album is number 10 out of 41. Macbeth: "Ah La Paterna Mano" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Macbeth: "Ah La Paterna Mano" by Eliezer Kepecs, Antonello Gotta, Compagnia d'Opera Italiana Orchestra to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflote: "Dies Bildness" | Eliezer Kepecs, Bulgarian National Radio Symphony Orchestra, John Landor | E♭ Major | 2 | 5B | 71 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Giorgio Tadeo, Carlo Cava, Gianna D'Angelo, Gabriella Carturan, Nicola Monti, Renato Capecchi, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | C Major | 6 | 8B | 103 BPM | ||
Faust, CG 4: "Quel trouble inconnu me pénètre?" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | B♭ Major | 1 | 6B | 81 BPM | ||
La bohème / Act 3: "Musetta! O gioia della mia dimora! - Testa adorata" - Remastered | Ruggero Leoncavallo, Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda | E♭ Minor | 2 | 2A | 82 BPM | ||
Mefistofele, Act III: L'altra notte in fondo al mare | Arrigo Boito, Maria Callas, Philharmonia Orchestra, Tullio Serafin | D Major | 0 | 10B | 78 BPM | ||
La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM | ||
Las Hijas del Zebedeo: Carceleras | Ruperto Chapí, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | A Minor | 3 | 8A | 73 BPM | ||
Il barbiere di Siviglia / Act 1: E desso, o pur m'inganno | Gioachino Rossini, Ugo Benelli, Manuel Ausensi, Fernando Corena, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 2 | 8B | 80 BPM | ||
Gounod : Faust : Act 2 "Un bouquet ... Ah! Je ris de me voir" [Marguerite] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | E Major | 0 | 12B | 84 BPM | ||
Andrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via, | Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo Chailly | D Major | 1 | 10B | 79 BPM |
Section: 0.759721040725708
End: 0.7643206119537354