"Fourteen Songs, Op. 34: 14. Vocalise" by Sergei Rachmaninoff, Renée Fleming, English Chamber Orchestra, Jeffrey Tate was released on January 1, 1998. Fourteen Songs, Op. 34: 14. Vocalise is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Renée Fleming - The Beautiful Voice". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. The popularity of Fourteen Songs, Op. 34: 14. Vocalise is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fourteen Songs, Op. 34: 14. Vocalise by Sergei Rachmaninoff, Renée Fleming, English Chamber Orchestra, Jeffrey Tate having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Piano Concerto No. 9 in E-Flat Major, K. 271 "Jeunehomme": III. Rondo. Presto | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | E♭ Major | 2 | 5B | 74 BPM | ||
Die tote Stadt: "Glück, das mir verblieb" | Erich Wolfgang Korngold, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | B♭ Major | 1 | 6B | 171 BPM | ||
Piano Concerto No. 2 in B-Flat Major, K. 39: II. Andante | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | F Major | 0 | 7B | 98 BPM | ||
Piano Concerto No.1 in F Sharp Minor, Op.1: 2. Andante | Sergei Rachmaninoff, Vladimir Ashkenazy, Concertgebouworkest, Bernard Haitink | A Major | 0 | 11B | 69 BPM | ||
Le nozze di Figaro, K. 492 / Act 2: "Voi che sapete" - "Bravo! che bella voce!" | Wolfgang Amadeus Mozart, Frederica von Stade, Kiri Te Kanawa, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | B♭ Major | 0 | 6B | 95 BPM | ||
Handel: Ariodante, HWV 33: "Scherza, infida" (Ariodante) | Philippe Jaroussky | F♯ Minor | 1 | 11A | 99 BPM | ||
Rusalka, Op. 114 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 3 | 4B | 176 BPM | ||
Piano Concerto No. 7 in F Major, K. 242 "Lodron" (Version for 2 Pianos & Orchestra): II. Adagio | Wolfgang Amadeus Mozart, Murray Perahia, Radu Lupu, English Chamber Orchestra | B♭ Major | 1 | 6B | 85 BPM | ||
7 Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 0 | 6B | 67 BPM |
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