"2 Melodies Hebraiques: No. 2: L'enigme Eternelle" by David Abramovitz, Laurent Naouri, Maurice Ravel was released on January 9, 2004. With 2 Melodies Hebraiques: No. 2: L'enigme Eternelle being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Ravel: Chansons". In this album, this song's track order is #9. 2 Melodies Hebraiques: No. 2: L'enigme Eternelle is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 2 Melodies Hebraiques: No. 2: L'enigme Eternelle by David Abramovitz, Laurent Naouri, Maurice Ravel having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
On the Dnieper Suite, Op. 51bis: III. The Betrothal | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 1 | 10B | 128 BPM | ||
Enigma Variations: Variation XII. B.G.N - Andante | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 98 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 in G Minor (orch. J. Brahms) | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | G Minor | 2 | 6A | 114 BPM | ||
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): III. Rondo (Allegro giocoso) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | F♯ Minor | 1 | 11A | 105 BPM | ||
Les Noces, Scene 1: The Tresses (At the Bride's House) [the Wedding] | Susan Bickley, Martyn Hill, Alan Ewing, Alison Wells, Simon Joly Chorale, International Piano Quartet, Tristan Fry Percussion Ensemble, Robert Craft | E Major | 2 | 12B | 118 BPM | ||
Partir c'est mourir un peu | Francesco Paolo Tosti, Stefano Secco, David Abramovitz | D♭ Major | 1 | 3B | 127 BPM | ||
Das Lied von der Erde: Der Trunkene im Frühling | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | A Major | 2 | 11B | 97 BPM | ||
Histoire du soldat Suite (The Soldier's Tale Suite): I. The Soldier's March | Igor Stravinsky, Rolf Schulte, William Blount, Christopher Gekker, Michael Powell, Frank Morelli, John Feeney, Gordon Gottlieb, Robert Craft | D Major | 2 | 10B | 121 BPM | ||
Two Songs, Op. 91: Geistliches Wiegenlied | Johannes Brahms, Maxim Rysanov, Alice Coote, Ashley Wass, Alexander Sitkovetsky, Julia Dekneka, Kristine Blaumane | F Major | 1 | 7B | 90 BPM | ||
Pelléas et Mélisande, L. 88 / Act II: "Vous ne savez pas où je vous ai menée" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 94 BPM |
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