Louis Couperin, Massimo Berghella made "Harpsichord Suite No. 3 in D Major: LXII. Chaconne" available on June 30, 2023. The duration of Harpsichord Suite No. 3 in D Major: LXII. Chaconne is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Harpsichord Suite No. 3 in D Major: LXII. Chaconne's duration is considered a little bit shorter than the average duration of a typical track. The song is number 29 out of 129 in Couperin: Complete Harpsichord Music by Louis Couperin, Massimo Berghella. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of Harpsichord Suite No. 3 in D Major: LXII. Chaconne is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Harpsichord Suite No. 3 in D Major: LXII. Chaconne by Louis Couperin, Massimo Berghella is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Livre 3: Médée | Jacques Duphly, Mario Raskin | E Minor | 5 | 9A | 131 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: II. Adagio | Luigi Boccherini, José Miguel Moreno, La Real Cámara | F Major | 2 | 7B | 106 BPM | ||
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Major | 2 | 4B | 61 BPM | ||
Scarlatti, D: Keyboard Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Scott Ross | E Minor | 3 | 9A | 97 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610b: IV. Fecit potentiam | Antonio Vivaldi, Andrew Parrott, Taverner Players, Nancy Argenta, Taverner Choir | G Minor | 2 | 6A | 77 BPM | ||
Cello Sonata in G Minor, Op. 1 No. 4: I. Adagio | Benedetto Marcello, Roel Dieltiens, Richte Van Der Meer, Robert Kohnen | F♯ Minor | 0 | 11A | 70 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceur | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Symphony No. 7 in B-Flat Major, Op. 2, "Pythian Ode": I. Andante - Spirituoso | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 146 BPM | ||
II. Suite in C major: VIII. 27. Passacaille | Louis Couperin, Richard Egarr | E♭ Major | 2 | 5B | 72 BPM | ||
Hexachordum Apollinis: No. 3 in F Major, Aria & 6 Variations, P. 195 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM |
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