"Romanian rhapsodie in A Major Op. 11 No. 1" by George Enescu, Kristjan Järvi, MDR Leipzig Radio Symphony Orchestra, Miroslav Tadic, Theodosii Spassov, Vlatko Stefanovski was released on June 2, 2014. Romanian rhapsodie in A Major Op. 11 No. 1 appears to be safe for all ages as it is not explicit. The song is number 1 out of 12 in Balkan Fever by Traditional, Kristjan Järvi. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Romanian rhapsodie in A Major Op. 11 No. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Romanian rhapsodie in A Major Op. 11 No. 1 by George Enescu, Kristjan Järvi, MDR Leipzig Radio Symphony Orchestra, Miroslav Tadic, Theodosii Spassov, Vlatko Stefanovski is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Lohengrin: Prelude - Act One | Richard Wagner, Bayreuth Festival Orchestra | E♭ Major | 4 | 5B | 124 BPM | ||
Má Vlast, JB 1:112: The Moldau (Vltava) [Excerpt] | Bedřich Smetana, Leopold Stokowski, RCA Victor Symphony Orchestra | C Major | 2 | 8B | 74 BPM | ||
Les berceaux, Op. 23, No. 1 | Gabriel Fauré, Mischa Maisky, Daria Hovora | C Minor | 0 | 5A | 87 BPM | ||
Andante and Rondo Ungarese for Bassoon and Orchestra, Op.35 | Carl Maria von Weber, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 174 BPM | ||
Eleno | Vahagni, Miroslav Tadic | E Major | 1 | 12B | 80 BPM | ||
Slavonic Dances, Op. 72, B. 147: No. 2, Dumka | Antonín Dvořák, George Szell, Cleveland Orchestra | C Major | 2 | 8B | 101 BPM | ||
Mozart: Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto (Cadenza by Joachim) | Wolfgang Amadeus Mozart, Vilde Frang, Jonathan Cohen | F♯ Minor | 3 | 11A | 187 BPM | ||
Ballet Suite No. 1 (Arr. Lev Atovmyan): I. Lyric Waltz from "Suite No. 1 for Jazz Orchestra" | Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra | C Minor | 1 | 5A | 184 BPM | ||
Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Glenn Gould, Vladimir Golschmann, Columbia Symphony Orchestra | F Minor | 0 | 4A | 61 BPM | ||
Zigeunerweisen (Aires Gitanos), Op. 20 | Pablo de Sarasate, Julia Fischer, Milana Chernyavska | G Minor | 1 | 6A | 83 BPM |
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