"Mozart: Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto (Cadenza by Joachim)" by Wolfgang Amadeus Mozart, Vilde Frang, Jonathan Cohen was released on February 9, 2015. Since Mozart: Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto (Cadenza by Joachim) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Vilde Frang, Jonathan Cohen's "Mozart: Violin Concertos Nos 1, 5 & Sinfonia concertante" album is number 6 out of 9. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Mozart: Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto (Cadenza by Joachim) is currently not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Mozart: Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto (Cadenza by Joachim) by Wolfgang Amadeus Mozart, Vilde Frang, Jonathan Cohen to be Presto (very, very fast) because the track has a tempo of 187 BPM, a half-time of 94BPM, and a double-time of 374 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
The music key of this track is F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Chopin: Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto | Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | E Major | 5 | 12B | 85 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Legende, Op. 17 | Henryk Wieniawski, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | G Minor | 1 | 6A | 89 BPM | ||
Requiem In D Minor, K. 626: Sanctus | Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Major | 3 | 10B | 82 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Sinfonia concertante in E Flat Major for Oboe, Clarinet, Horn, Bassoon and Orch., K. 297b: I. Allegro | Wolfgang Amadeus Mozart, Stephen Taylor, David Singer, William Purvis, Steven Dibner, Orpheus Chamber Orchestra | D Major | 1 | 10B | 78 BPM | ||
3 Romances for Violin and Piano, Op. 22: II. Allegretto | Clara Schumann, Lisa Batiashvili, Alice Sara Ott | G Minor | 0 | 6A | 93 BPM | ||
10 Preludes, Op. 23: No. 5. Alla marcia in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 2 | 6A | 106 BPM | ||
Piano Concerto No.23 In A, K.488 - Cadenza: Feruccio Busoni: 1. Allegro | Wolfgang Amadeus Mozart, Ferruccio Busoni, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 140 BPM |
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