Johan Helmich Roman, Höör Barock, Dan Laurin made "Golovinmusiken, BeRI 1: No. 25, Bourrée" available on March 1, 2019. With Golovinmusiken, BeRI 1: No. 25, Bourrée being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johan Helmich Roman, Höör Barock, Dan Laurin's "Johan Helmich Roman: Golovinmusiken, BeRI 1" album is number 25 out of 45. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Golovinmusiken, BeRI 1: No. 25, Bourrée's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Golovinmusiken, BeRI 1: No. 25, Bourrée by Johan Helmich Roman, Höör Barock, Dan Laurin to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In F For Organ, Op 4 No 4: Allegro | A Nanut | D Major | 1 | 10B | 63 BPM | ||
Guitar Quintet No. 4 in D Major, G. 448: I. Pastorale | Luigi Boccherini, José Miguel Moreno, La Real Cámara | A♭ Major | 0 | 4B | 110 BPM | ||
Caro dolce ben mio - diminutions by Giovanni Bassano | Andrea Gabrieli, Gawain Glenton, Silas Wollston | B♭ Minor | 1 | 3A | 64 BPM | ||
Concerto VIII in C Minor: IV. Adagio | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Concerto Grosso No. 1 in D Minor, "Bona nova": I. Sonata. Grave | Georg Muffat, Holland Baroque Society, Matthew Halls | B Major | 3 | 1B | 103 BPM | ||
Sei Concerti in sette parti: No. 3 in F Major: II. Largo | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Minor | 3 | 12A | 67 BPM | ||
Violin Concerto in F Minor, BeRI 52: II. Larghetto | Johan Helmich Roman, Terje Tonnesen, Camerata Nordica | B♭ Major | 2 | 6B | 113 BPM | ||
Violin Sonata No. 1 in A Major, C. 138: III. Adagio | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
Concerto No. 5 in B-Flat Major, SF 944 "La Cetra": II. Larghetto staccato | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D Major | 1 | 10B | 94 BPM | ||
Ariane et Bacchus, Prologue: Ouverture pour entracte | Marin Marais, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet | D♭ Minor | 1 | 12A | 87 BPM |
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