Nicol Matt, Robert Sagasser, Ute Petersilge, Jörg Halobek, Martina Rotbauer, Johann Sebastian Bach, Nordic Chamber Choir, Heike Hümmer, Soloists Of The Freiburger Barockorchester, Jens Wollenschläger made "Christ, Unser Herr, Zum Jordan Kam Bwv 280" available on March 28, 2007. With Christ, Unser Herr, Zum Jordan Kam Bwv 280 being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Christ, Unser Herr, Zum Jordan Kam Bwv 280 is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Christ, Unser Herr, Zum Jordan Kam Bwv 280 by Nicol Matt, Robert Sagasser, Ute Petersilge, Jörg Halobek, Martina Rotbauer, Johann Sebastian Bach, Nordic Chamber Choir, Heike Hümmer, Soloists Of The Freiburger Barockorchester, Jens Wollenschläger is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Faust: Act II: Adagio | Louis Spohr, Boje Skovhus, Franz Hawlata, Robert Swensen, Hillevi Martinpelto, Alfred Reiter, Rodrigo Orrego, Ulrich Wand, Brigitte Wohlfarth, Christoph Spath, Martina Borst, Stuttgart Sudfunkchor, South West German Radio Kaiserslautern Orchestra, Klaus Arp | A♭ Major | 3 | 4B | 99 BPM | ||
Zwölf Orgelstücke, Op. 4: VIII. Adagio | Johann Gottlob Schneider, Halgeir Schiager | B Minor | 2 | 10A | 128 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Concerto No. 3 in F Major, Op. 8, RV 293 "L'autunno": II. Adagio molto (With Narrator) | Antonio Vivaldi, Flanders Recorder Quartet, Marion Verbruggen | F♯ Minor | 0 | 11A | 66 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: The soft complaining flute | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM | ||
Sacrum, R.586 - rev. Franz Giegling: 2f Gloria: (Andante) Qui tollis | Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable | C Major | 1 | 8B | 106 BPM | ||
Mass in D Major, Op. 86 / Kyrie: Ia. Kyrie I | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D Major | 2 | 10B | 79 BPM | ||
Missa S. Marcellini: XII. Credo - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 3 | 3B | 110 BPM |
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