"Francesca da Rimini, Op. 4, Act I, Scene 10: Verrà, in breve anche il tuo giorno (Francesca, Samaritana)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Hana Minutillo was released on 1994. With Francesca da Rimini, Op. 4, Act I, Scene 10: Verrà, in breve anche il tuo giorno (Francesca, Samaritana) being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #11 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Based on our statistics, Francesca da Rimini, Op. 4, Act I, Scene 10: Verrà, in breve anche il tuo giorno (Francesca, Samaritana)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act I, Scene 10: Verrà, in breve anche il tuo giorno (Francesca, Samaritana) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Hana Minutillo has a tempo of 126 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Francesca da Rimini, Op. 4, Act I, Scene 10: Verrà, in breve anche il tuo giorno (Francesca, Samaritana) being at 126 BPM, the half-time would be 63 BPM with a double-time of 252 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Un ballo in maschera / Act I: "Posa in pace" | Giuseppe Verdi, Ruggero Raimondi, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano | B♭ Minor | 1 | 3A | 78 BPM | ||
Andrea Chénier / Act 2: Per l'ex inferno! | Umberto Giordano, Giorgio Tadeo, Kathleen Kuhlmann, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly | G Major | 5 | 9B | 113 BPM | ||
Messa da Requiem: I. Requiem - Kyrie | Giuseppe Verdi, Krassimira Stoyanova, Marina Prudenskaya, Charles Castronovo, Georg Zeppenfeld, Sächsischer Staatsopernchor Dresden, Staatskapelle Dresden, Christian Thielemann | A Major | 3 | 11B | 79 BPM | ||
String Quartet in G Major: I. Allegro moderato | Riccardo Zandonai, Venice String Quartet | A Major | 0 | 11B | 70 BPM | ||
Francesca da Rimini, Op. 4, Act III: Nemica ebbi la luce | Riccardo Zandonai, Martin Mühle, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon | D Minor | 2 | 7A | 88 BPM | ||
Le nozze di Figaro, K.492, Act IV: Aria. "Deh vieni non tardar" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Puccini: Suor Angelica: "Suor Angelica, sentite!" (La sorella infermiera, Suor Angelica, Chorus) | Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra | A Minor | 0 | 8A | 80 BPM | ||
Puccini: Madama Butterfly, Act 2: "Ora a noi" (Butterfly, Sharpless) | Giacomo Puccini, Maria Callas, Mario Borriello, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | A Minor | 1 | 8A | 74 BPM | ||
Bellini: Norma: "Meco all'altar di Venere" - "Me protegge, me difende" (Pollione, Flavio, Druidi) | Vincenzo Bellini, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Julien Henric, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
La Fanciulla del West / Act 3: Ch'ella mi creda libero e lontano | Giacomo Puccini, Plácido Domingo, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta, Chorus of the Royal Opera House, Covent Garden, Robin Stapleton | F♯ Major | 2 | 2B | 82 BPM |
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