Tristan und Isolde / Act 3: "Kurwenal! He!" - Richard Wagner, Anton Dermota, René Kollo, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Carlos Kleiber Information

Acousticness: 80%
Danceability: 21%
Energy: 3%
Instrumentalness: 1%
Liveness: 57%
Loudness: 62%
Speechiness: 4%
Valence: 6%
Popularity: 12%
Loudness: -22.605 dB

Summary

"Tristan und Isolde / Act 3: "Kurwenal! He!"" by Richard Wagner, Anton Dermota, René Kollo, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Carlos Kleiber was released on January 1, 1982. Since Tristan und Isolde / Act 3: "Kurwenal! He!" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Tristan und Isolde by Richard Wagner, Carlos Kleiber. The song's track number on the album is #3 out of 29 tracks. Based on our statistics, Tristan und Isolde / Act 3: "Kurwenal! He!"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Tristan und Isolde / Act 3: "Kurwenal! He!" BPM

Since Tristan und Isolde / Act 3: "Kurwenal! He!" by Richard Wagner, Anton Dermota, René Kollo, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Carlos Kleiber has a tempo of 140 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Tristan und Isolde / Act 3: "Kurwenal! He!" being at 140 BPM, the half-time would be 70 BPM with a double-time of 280 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.

Tristan und Isolde / Act 3: "Kurwenal! He!" Key

This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Mass in D Major, Op. 123 "Missa Solemnis": Credo: Et incarnatus est	Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein	D Minor	1	7A	136 BPM
Salome, Op. 54 / Scene 2: "Ich will nicht bleiben"	Richard Strauss, Cheryl Studer, Marianne Rorholm, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli	F♯ Minor	1	11A	90 BPM
Messa di Requiem: Lux aeterna	Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker	B♭ Major	1	6B	86 BPM
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas"	Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine	E Minor	2	9A	78 BPM
Madama Butterfly / Act 1: Cio-cio-san! Cio-cio-san!	Giacomo Puccini, Marius Rintzler, Luciano Pavarotti, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan	G Major	3	9B	92 BPM
Das Liebesverbot, WWV 38, Act II: Act II: Trio: Wie glucklich, schone Isabella (Luzio, Isabella, Dorella)	Richard Wagner, Kieth Engen, Sabine Hass, Pamela Coburn, Alfred Kuhn, Raimund Grumbach, Marianne Seibel, Hermann Sapell, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Hermann Prey, Wolfgang Fassler, Robert Schunk, Friedrich Lenz, Wolfgang Sawallisch	A Major	2	11B	118 BPM
La Traviata / Act 3: "Prendi, quest'è l'immagine"	Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber	D♭ Major	2	3B	88 BPM
Carmina Burana / II. In Taberna: "Ego sum abbas"	Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum	B♭ Minor	3	3A	108 BPM
Der Freischütz, J. 277 / Act III: "Wer legt auf ihn so strengen Bann?"	Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Bernd Weikl, Franz Crass, Siegfried Vogel, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber	E♭ Major	2	5B	70 BPM
La Traviata / Act 2: "Invitato a qui seguirmi"	Giuseppe Verdi, Stefania Malagu, Ileana Cotrubas, Plácido Domingo, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber	A♭ Major	3	4B	91 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7513008117675781

End: 0.7576994895935059