"Hommage á T.S. Eliot (1987) - For Octet And Soprano: 2." by Sofia Gubaidulina, Eduard Brunner, Klaus Thunemann, Radovan Vlatkovic was released on May 18, 2021. The duration of Hommage á T.S. Eliot (1987) - For Octet And Soprano: 2. is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Hommage á T.S. Eliot (1987) - For Octet And Soprano: 2.'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 85 in Clara Schumann & Great Female Composers by Clara Schumann, Cécile Chaminade, Grażyna Bacewicz. The popularity of Hommage á T.S. Eliot (1987) - For Octet And Soprano: 2. is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hommage á T.S. Eliot (1987) - For Octet And Soprano: 2. by Sofia Gubaidulina, Eduard Brunner, Klaus Thunemann, Radovan Vlatkovic is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gubaidulina: The Canticle of the Sun, for Cello, Chamber Choir and Percussion: No. 1a, Opening, "Altissimo omnipontente bon Signore" | Sofia Gubaidulina, Ryusuke Numajiri/Mstislav Rostropovich/Simon Carrington/Neil Percy/John Alley/London Voices, Ryusuke Numajiri | G Major | 0 | 9B | 139 BPM | ||
The Wrath of God - Pt. 6 | Sofia Gubaidulina, Gewandhausorchester, Andris Nelsons | F♯ Major | 2 | 2B | 71 BPM | ||
Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
5 Pieces for Orchestra, Op.16: 3. Farben | Arnold Schoenberg, Cleveland Orchestra, Christoph von Dohnányi | F Major | 0 | 7B | 71 BPM | ||
Rissolty Rossolty | Ruth Crawford Seeger, Schönberg Ensemble, Oliver Knussen | F Major | 3 | 7B | 117 BPM | ||
Prometheus: III. According to the Third... | Geoffrey Gordon, Philharmonia Orchestra, Martyn Brabbins, Laurent Ben Slimane | A Major | 1 | 11B | 81 BPM | ||
Tromsö 2018 IV | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
String Quartet No. 15 in G Major, D. 887: III. Scherzo. Allegro vivace – Trio. Allegretto | Franz Schubert, Takács Quartet | A Minor | 1 | 8A | 117 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM |
Section: 0.6040983200073242
End: 0.6087965965270996