"Wozzeck / Act 1: Scene 5: Street before Marie's door. "Geh einmal vor Dich hin!"" by Alban Berg, Hildegard Behrens, Walter Raffeiner, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1988. The duration of Wozzeck / Act 1: Scene 5: Street before Marie's door. "Geh einmal vor Dich hin!" is about 3 minutes long, at 3:00. Based on our data, "Wozzeck / Act 1: Scene 5: Street before Marie's door. "Geh einmal vor Dich hin!"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 16 in Berg: Wozzeck by Alban Berg, Vienna Boys' Choir, Wiener Philharmoniker, Claudio Abbado. Based on our statistics, Wozzeck / Act 1: Scene 5: Street before Marie's door. "Geh einmal vor Dich hin!"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wozzeck / Act 1: Scene 5: Street before Marie's door. "Geh einmal vor Dich hin!" by Alban Berg, Hildegard Behrens, Walter Raffeiner, Wiener Philharmoniker, Claudio Abbado is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
Symphony in C Major, Op. 46: II. Sehr langsam - | Seattle Symphony Orchestra, Hans Pfitzner, Gerard Schwarz | F Major | 0 | 7B | 90 BPM | ||
Symphony No. 2 "The Age of Anxiety" / Part 1 / 3. The Seven Stages: Variation 8. Molto moderato, ma movendo | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | D♭ Major | 1 | 3B | 51 BPM | ||
Violin Concerto (1992): I. Praeludium: Vivacissimo luminoso - attacca: | György Ligeti, Saschko Gawriloff, Ensemble Intercontemporain, Pierre Boulez | G Major | 1 | 9B | 114 BPM | ||
Violin Sonata: I. Andante semplice | Aaron Copland, Paul Posnak, Peter Zazofsky | G Major | 0 | 9B | 95 BPM | ||
Shostakovich - Preludes, Op. 34 - No. 24, Allegretto | Leonid Kogan | D Minor | 1 | 7A | 169 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | G Minor | 1 | 6A | 101 BPM | ||
Lulu / Act 1: Monoritmica "Nun?" / "Du hast eine halbe Million geheiratet" | Alban Berg, Teresa Stratas, Robert Tear, Franz Mazura, Orchestre de l'Opéra de Paris, Pierre Boulez | C Major | 1 | 8B | 79 BPM | ||
5 Canons on Latin Texts, Op. 16: Dormi Jesu | Anton Webern, Jennifer Welch-Babidge, Charles Neidich, Michael Lowenstern | D♭ Major | 0 | 3B | 110 BPM | ||
24 Preludes, Op. 11: Prelude in C-Sharp Minor, Op. 11, No. 10 (Arr. V. Rogal-Levitsky) | Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin | D♭ Minor | 0 | 12A | 130 BPM |
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