"Concerto Grosso in F Major, Op. 6, No. 9, HWV 327: VI. Gigue" by George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown was released on January 1, 2000. The duration of Concerto Grosso in F Major, Op. 6, No. 9, HWV 327: VI. Gigue is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Concerto Grosso in F Major, Op. 6, No. 9, HWV 327: VI. Gigue's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel's "Handel: Concerto Grosso Op. 6, Nos. 1, 2, 8, 9, 10 and 12" album is number 21 out of 32. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Concerto Grosso in F Major, Op. 6, No. 9, HWV 327: VI. Gigue is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto Grosso in F Major, Op. 6, No. 9, HWV 327: VI. Gigue by George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in G Major, Op. 3 No. 1, WolS G2: IV. Presto | Johann Stamitz, Musica Viva, Alexander Rudin | D♭ Major | 3 | 3B | 157 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: II. Largo | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | A Minor | 0 | 8A | 87 BPM | ||
Pur ti Miro from 'L'incoronazione di Poppea | Claudio Monteverdi, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | A Major | 0 | 11B | 95 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: V. Rejouissance | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 140 BPM | ||
Symphony in C Major, Op. 2 No. 3 "The Chaplet": III. Tempo di menuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 81 BPM | ||
Quintet No.7 for Guitar and Strings in E minor, G.451: 2. Adagio | Luigi Boccherini, Pepe Romero, Academy of St. Martin in the Fields | C Major | 1 | 8B | 118 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 4, HWV 315: III. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | F Major | 0 | 7B | 83 BPM | ||
Symphony in D Minor, Op. 2 No. 8 "Worcester Overture": I. Pomposo - Allegro | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 2 | 7A | 115 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: I. Preludio: Andante Largo | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Concerto for Oboe d'amore in A Major, TWV 51:2: II. Allegro | Georg Philipp Telemann, St. Christopher Chamber Orchestra, Donatas Katkus, Andrius Puskunigis | G Major | 3 | 9B | 154 BPM |
Section: 0.6368649005889893
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