Francis Poulenc, Jean-Paul Fouchécourt/Musique de la Garde Républicaine/François Boulanger, Musique De La Garde Républicaine, François Boulanger made "Poulenc: Cocardes, FP 16: No. 2, Bonne d'enfant (Chamber Version)" available on October 22, 2012. With Poulenc: Cocardes, FP 16: No. 2, Bonne d'enfant (Chamber Version) being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 592 in the song's album "Poulenc Intégrale - Edition du 50e anniversaire 1963-2013". In this album, this song's track order is #16. Based on our statistics, Poulenc: Cocardes, FP 16: No. 2, Bonne d'enfant (Chamber Version)'s popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Poulenc: Cocardes, FP 16: No. 2, Bonne d'enfant (Chamber Version) by Francis Poulenc, Jean-Paul Fouchécourt/Musique de la Garde Républicaine/François Boulanger, Musique De La Garde Républicaine, François Boulanger having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 1. Prelude | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 80 BPM | ||
Piano Concerto No.2 In F Minor, Op.21: 2. Larghetto | Frédéric Chopin, Krystian Zimerman, Polish Festival Orchestra | A♭ Major | 0 | 4B | 77 BPM | ||
Prélude in A Minor | Maurice Ravel, Benjamin Grosvenor | G Minor | 0 | 6A | 98 BPM | ||
7 Chansons, FP 81: No. 6. Marie (Marie) | Francis Poulenc, Elora Festival Singers, Noel Edison | F Major | 1 | 7B | 77 BPM | ||
Variations on a Polish Theme, Op. 10: No. 5 Andantino | Karol Szymanowski, Martin Roscoe | B Minor | 0 | 10A | 70 BPM | ||
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
Piano Concerto No. 2 in B Flat Major, Op. 19: II. Adagio | Ludwig van Beethoven, Krystian Zimerman, London Symphony Orchestra, Sir Simon Rattle | E♭ Major | 0 | 5B | 71 BPM |
Section: 0.6920697689056396
End: 0.6962070465087891