Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski's 'Spartacus, Act I: Variation of Aegina and Bacchanalia (arr. Y. Grigorovich) [1968 Bolshoi Version]' came out on January 1, 1998. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Aram Khachaturian, Michail Jurowski, Deutsches Symphonie-Orchester Berlin's "Khachaturian, A.I.: Spartacus [Ballet]" album is number 7 out of 33. On top of that, United States appears to be the country where this track was created. In terms of popularity, Spartacus, Act I: Variation of Aegina and Bacchanalia (arr. Y. Grigorovich) [1968 Bolshoi Version] is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Spartacus, Act I: Variation of Aegina and Bacchanalia (arr. Y. Grigorovich) [1968 Bolshoi Version] by Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Tarantella in A Minor | Mikhail Glinka, Inga Fiolia | A Minor | 2 | 8A | 100 BPM | ||
Piano Concerto in D-Flat Major, Op. 38: II. Andante con anima | Aram Khachaturian, Oxana Yablonskaya, Moscow Philharmonic Orchestra, Dmitry Yablonsky | D Minor | 0 | 7A | 110 BPM | ||
The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 1 in C Major, BWV 846: I. Prelude | Johann Sebastian Bach, Sviatoslav Richter | C Major | 0 | 8B | 72 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 1. Prelude | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 80 BPM | ||
Chaconne in sol maggiore : Variazione 9 | Lazar Berman | G Minor | 0 | 6A | 66 BPM | ||
La mer, L. 109: II. Jeux de vagues | Claude Debussy, Orchestre National De Lyon, Jun Markl | E Major | 1 | 12B | 84 BPM | ||
Prokofiev: 10 Pieces from Romeo & Juliet, Op. 75: VI. Montagues and Capulets | Sergei Prokofiev, Nikolai Lugansky | F Major | 0 | 7B | 90 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Eldar Nebolsin | A Major | 1 | 11B | 91 BPM |
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