"Suite espanola No. 1, Op. 47: I. Granada (Serenata) (arr. version for 2 guitars)" by Isaac Albéniz, Kris & Yarema Duo was released on August 1, 2013. With this song being about 5 minutes long, at 4:41, "Suite espanola No. 1, Op. 47: I. Granada (Serenata) (arr. version for 2 guitars)" by Isaac Albéniz, Kris & Yarema Duo is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 27 in Classical Guitars by Kris & Yarema Duo. In terms of popularity, Suite espanola No. 1, Op. 47: I. Granada (Serenata) (arr. version for 2 guitars) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Suite espanola No. 1, Op. 47: I. Granada (Serenata) (arr. version for 2 guitars) by Isaac Albéniz, Kris & Yarema Duo is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Mazurka in C Major | Mikhail Glinka, Inga Fiolia | A Minor | 0 | 8A | 69 BPM | ||
Serenata españole | Joaquín Malats, Pepe Romero | A Major | 0 | 11B | 82 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM | ||
V. Asturias | Isaac Albéniz, Thibault Cauvin | E Minor | 2 | 9A | 114 BPM | ||
Sonata giocosa: II. Andante moderato | Joaquín Rodrigo, Marcin Dylla | A Minor | 0 | 8A | 102 BPM | ||
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM |
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