"Two Aquarelles: Lento, ma non troppo" by Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras was released on January 1, 1990. The duration of Two Aquarelles: Lento, ma non troppo is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Two Aquarelles: Lento, ma non troppo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 17 in Delius: Orchestral Works by Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras. Two Aquarelles: Lento, ma non troppo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Two Aquarelles: Lento, ma non troppo by Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
2 Aquarelles: No. 2. Gaily, but not quick | Frederick Delius, Eric Fenby, English Chamber Orchestra, Julian Lloyd Webber | G Major | 1 | 9B | 86 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Siciliano (After "Erbarme dich" from Matthäus-Passion, BWV 244, No. 39) | Johann Sebastian Bach, Martin Stadtfeld | G Minor | 1 | 6A | 79 BPM | ||
A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 91 BPM | ||
Nocturnes n°7 en mi majeur | Francis Poulenc, Alexandre Tharaud | E♭ Major | 1 | 5B | 87 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM |
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