"La Bohème: Sono andati? ... O Dio, Mimì (Recorded 1925)" by Giacomo Puccini, Lucrezia Bori, Tito Schipa, Rosario Bourdon, Victor Orchestra had its release date on January 1, 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists, Rosario Bourdon, Josef Pasternack, Frank Black, Nathaniel Shilkret, Victor Orchestra's "Lucrezia Bori in Opera and Song" album is number 11 out of 43. La Bohème: Sono andati? ... O Dio, Mimì (Recorded 1925) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bohème: Sono andati? ... O Dio, Mimì (Recorded 1925) by Giacomo Puccini, Lucrezia Bori, Tito Schipa, Rosario Bourdon, Victor Orchestra to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soave sia il vento | Amici forever | E Major | 3 | 12B | 77 BPM | ||
Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Barbara Hendricks, Orchestre Philharmonique de Radio France, Paavo Järvi | A♭ Major | 1 | 4B | 87 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Giacomo Aragall, Stefka Evstatieva, Anna di Mauro, Alžbeta Michálková, Eduard Tumagian, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | F Major | 0 | 7B | 82 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Der Hölle Rache kocht in meinem Herzen" | Wolfgang Amadeus Mozart, Erika Miklósa, Mahler Chamber Orchestra, Claudio Abbado | F Major | 1 | 7B | 71 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 72 BPM | ||
Tosca: E Lucevan Le Stelle | Peter Dvorsky, Slovak Radio Symphony Orchestra, Luigi Illica, Giacomo Puccini, Giuseppe Giacosa | B Minor | 2 | 10A | 90 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM |