"Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta)" by Giacomo Puccini, Barbara Hendricks, Orchestre Philharmonique de Radio France, Paavo Järvi was released on June 5, 1987. The duration of Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta) is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 10 in Airs d'Opera - Opera Arias by Barbara Hendricks, Paavo Järvi, Orchestre Philharmonique de Radio France. Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta) by Giacomo Puccini, Barbara Hendricks, Orchestre Philharmonique de Radio France, Paavo Järvi is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Rusalka, Op. 114 / Act 1: Sem casto prichazi a v objeti mé stoupá | Antonín Dvořák, Renée Fleming, Franz Hawlata, Czech Philharmonic, Sir Charles Mackerras | F Major | 2 | 7B | 176 BPM | ||
Petite Messe solennelle - Gloria: Domine Deus | Gioachino Rossini, Luciano Pavarotti, Leone Magiera, Vittoria Rosetta, Romano Gandolfi | D Major | 4 | 10B | 108 BPM | ||
L'Europa riconosciuta: Quando più irato freme (Semele) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | F Major | 2 | 7B | 129 BPM | ||
12 Songs, Op. 21: 7. Zdes' khorosho | Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | B♭ Major | 2 | 6B | 130 BPM | ||
Carmen, WD 31 / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | D♭ Minor | 7 | 12A | 102 BPM | ||
Handel: Rinaldo, HWV 7, Act 2: Aria. "Lascia ch'io pianga" (Almirena) | George Frideric Handel, Claudio Scimone, I Solisti Veneti, Marilyn Horne | D Major | 1 | 10B | 87 BPM | ||
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM | ||
Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna) | Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado | G Major | 1 | 9B | 176 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM |
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