Nein, Herr, so kommt es nicht (Ariadne auf Naxos) - Peter Klein, Hermann Baier, Alfred Muzzarelli, Paul Schöffler, Hans Schweiger, Richard Sallaba, Friedrich Jelinek, Alda Noni, Melanie Frutschnigg, Marjan Rus, Elisabeth Rutgers, Maria Reining, Emmy Loose, Erich Kunz, Max Lorenz, Irmgard Seefried, Vienna State Opera Orchestra, Josef Witt Information

Acousticness: 95%
Danceability: 35%
Energy: 30%
Instrumentalness: 0%
Liveness: 29%
Loudness: 76%
Speechiness: 4%
Valence: 16%
Popularity: 0%
Loudness: -14.681 dB

Summary

"Nein, Herr, so kommt es nicht (Ariadne auf Naxos)" by Peter Klein, Hermann Baier, Alfred Muzzarelli, Paul Schöffler, Hans Schweiger, Richard Sallaba, Friedrich Jelinek, Alda Noni, Melanie Frutschnigg, Marjan Rus, Elisabeth Rutgers, Maria Reining, Emmy Loose, Erich Kunz, Max Lorenz, Irmgard Seefried, Vienna State Opera Orchestra, Josef Witt was released on October 6, 2006. The duration of Nein, Herr, so kommt es nicht (Ariadne auf Naxos) is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Nein, Herr, so kommt es nicht (Ariadne auf Naxos)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 27 in Ariadne auf Naxos by Karl Böhm. Nein, Herr, so kommt es nicht (Ariadne auf Naxos) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Nein, Herr, so kommt es nicht (Ariadne auf Naxos) BPM

The tempo marking of Nein, Herr, so kommt es nicht (Ariadne auf Naxos) by Peter Klein, Hermann Baier, Alfred Muzzarelli, Paul Schöffler, Hans Schweiger, Richard Sallaba, Friedrich Jelinek, Alda Noni, Melanie Frutschnigg, Marjan Rus, Elisabeth Rutgers, Maria Reining, Emmy Loose, Erich Kunz, Max Lorenz, Irmgard Seefried, Vienna State Opera Orchestra, Josef Witt is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Nein, Herr, so kommt es nicht (Ariadne auf Naxos) Key

This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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L'italiana in Algeri: Atto I. Finale I. Quartettino: Vo’ star con mia nipote	Gioachino Rossini, Pablo Ruiz, José Coca Loza, Ricardo Seguel, Vasilisa Berzhanskaya, Orchestra Of The 18th Century, Giancarlo Andretta	C Major	3	8B	93 BPM
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Der Rosenkavalier, Op. 59, TrV 227: Act I: Wie du warst! Wie du bist! (Octavian, Marschallin)	Richard Strauss, Maria Reining, Ludwig Weber, Sena Jurinac, Alfred Poell, Hilde Gueden, Judith Hellwig, Peter Klein, Hilde Rössel Majdan, Anton Dermota, Walter Berry, Harald Pröglhöf, August Jaresch, Franz Bierbach, Erich Majkut, Berta Seidl, Vienna State Opera Chorus, Wiener Philharmoniker, Erich Kleiber	C Major	3	8B	63 BPM
Bach, CPE: Magnificat in D Minor, Wq. 215: I. Magnificat	Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra	D Major	4	10B	118 BPM
Die Zauberflöte, K. 620: Act II Scene 10: Moderato: Nur stille, stille, stille (Monostatos, Queen of the Night, Damen)	Wolfgang Amadeus Mozart, Wilma Lipp, Irmgard Seefried, Gertrud Grob-Prandl, Sieglinde Wagner, Elisabeth Höngen, Edith Oravez, Elisabeth Rutgers, Ruthilde Boesch, Polly Batic, Walther Ludwig, Karl Schmitt-Walter, Josef Greindl, Paul Schöffler, Hermann Gallos, Karl Dönch, Peter Klein, Ernst Haefliger, Hermann Uhde, Anton Dermota, Erich Kunz, Vienna State Opera Chorus, Wiener Philharmoniker, Wilhelm Furtwängler	C Minor	3	5A	0 BPM
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XV. Se tu m'ami (Andantino)	Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon	G Minor	0	6A	140 BPM
L'italiana in Algeri: Atto I. Duetto. Ai capricci della sorte	Gioachino Rossini, Vasilisa Berzhanskaya, Pablo Ruiz, Orchestra Of The 18th Century, Giancarlo Andretta	A♭ Major	2	4B	98 BPM
Der Stein der Weisen, Act II: Herr Astromonte, wir danken euch	Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Judith Lovat, Paul Austin Kelly	G Minor	4	6A	120 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.4669575691223145

End: 1.4758155345916748