Orfeo ed Euridice: Act II Scene 1: Aria: Mille pene (Orfeo) - Christoph Willibald Gluck, Jochen Kowalski, Dagmar Schellenberger, Christian Fliegner, Rundfunkchor Berlin, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen Information

Christoph Willibald Gluck, Jochen Kowalski, Dagmar Schellenberger, Christian Fliegner, Rundfunkchor Berlin, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen's 'Orfeo ed Euridice: Act II Scene 1: Aria: Mille pene (Orfeo)' came out on March 3, 2010. With Orfeo ed Euridice: Act II Scene 1: Aria: Mille pene (Orfeo) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Christoph Willibald Gluck, Hartmut Haenchen's "Gluck, G.W.: Orfeo ed Euridice" album is number 22 out of 51. On top of that, United States appears to be the country where this track was created. Orfeo ed Euridice: Act II Scene 1: Aria: Mille pene (Orfeo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Orfeo ed Euridice: Act II Scene 1: Aria: Mille pene (Orfeo) BPM

We consider the tempo marking of Orfeo ed Euridice: Act II Scene 1: Aria: Mille pene (Orfeo) by Christoph Willibald Gluck, Jochen Kowalski, Dagmar Schellenberger, Christian Fliegner, Rundfunkchor Berlin, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.

Orfeo ed Euridice: Act II Scene 1: Aria: Mille pene (Orfeo) Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.