"Temporal Variations for Oboe and Piano: VI. Chorale (Molto lento)" by Benjamin Britten, François Leleux, Emmanuel Strosser was released on 1995. The duration of Temporal Variations for Oboe and Piano: VI. Chorale (Molto lento) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Temporal Variations for Oboe and Piano: VI. Chorale (Molto lento)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 24 in Britten & Poulenc: Works for Oboe by François Leleux. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Temporal Variations for Oboe and Piano: VI. Chorale (Molto lento)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Temporal Variations for Oboe and Piano: VI. Chorale (Molto lento) by Benjamin Britten, François Leleux, Emmanuel Strosser is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces for Strings, C. 50j (From "Henry V"): No. 2, Touch Her Soft Lips and Part | William Walton, Malmö Opera Orchestra, Joseph Swensen | C Major | 0 | 8B | 76 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IV. Bydlo | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A Major | 1 | 11B | 90 BPM | ||
Ma mère l'Oye, M. 60 (Version for Orchestra): I. Pavane of the Sleeping Beauty (Pavane de la belle au bois dormant) | Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek | C Major | 0 | 8B | 71 BPM | ||
Nocturnes, L. 91: 1. Nuages | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 97 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: II. Adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 54 BPM | ||
Sonata For Arpeggione And Piano In A Minor, D. 821: 3. Allegretto | Franz Schubert, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM |
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