Giovanni Battista Bassani, Alessandro Carmignani, Marcello Vargetto, Nova Ars Cantandi, Giovanni Acciai made "Armonici entusiasmi di Davide, Op. 9, Psalm 121 "Laetatus sum": Psalm 121, "Laetatus sum": Rogate quæ ad pacem sunt Jerusalem" available on May 5, 2015. With Armonici entusiasmi di Davide, Op. 9, Psalm 121 "Laetatus sum": Psalm 121, "Laetatus sum": Rogate quæ ad pacem sunt Jerusalem being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 3 out of 67 in Bassani: Armonici entusiasmi di Davide, Op. 9 by Giovanni Battista Bassani, Nova Ars Cantandi, Giovanni Acciai. In terms of popularity, Armonici entusiasmi di Davide, Op. 9, Psalm 121 "Laetatus sum": Psalm 121, "Laetatus sum": Rogate quæ ad pacem sunt Jerusalem is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Armonici entusiasmi di Davide, Op. 9, Psalm 121 "Laetatus sum": Psalm 121, "Laetatus sum": Rogate quæ ad pacem sunt Jerusalem by Giovanni Battista Bassani, Alessandro Carmignani, Marcello Vargetto, Nova Ars Cantandi, Giovanni Acciai is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Missa Sancti Pauli: No. 5, Et in terra pax | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | G Major | 3 | 9B | 120 BPM | ||
Stabat Mater a quatro in C Minor: IX. Virgo virginum præclara | Giovanni Bononcini, Rinaldo Alessandrini, Concerto Italiano, Sara Mingardo | E♭ Major | 2 | 5B | 135 BPM | ||
I. Ach, lieben Christen, seid getrost (Chorus) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln | A♭ Major | 2 | 4B | 92 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata seconda | Giovanni Battista Fontana, Enrico Onofri, Imaginarium, Alessandro Palmeri | C Minor | 0 | 5A | 81 BPM | ||
Sonata in A Major for Two Violins and Bass Continuo: II. Untitled | John Blow, Palladian Ensemble | E Major | 1 | 12B | 133 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VII. Courante | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Affetti canori, cantate et ariette, Ove con piè fugace, Op. 6 No. 4: I. Ove con piè fugace | Giovanni Battista Bassani, Anna Piroli, Luigi Accardo, Elisa La Marca, Nicola Brovelli | F Minor | 2 | 4A | 108 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: VII. Domine, salvum fac regem | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Gagliarda Terza detta la Talianella | The Royal Wind Music | A♭ Major | 1 | 4B | 169 BPM |
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