Johann Sebastian Bach, Holland Boys Choir, Netherlands Bach Collegium, Pieter Jan Leusink's ' "Der Herr ist mein Getreuer Hirt, BWV 112: V. Choral. Gutes und die Barmherzigkeit (Coro)" was released on its scheduled release date, June 7, 2013. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann Sebastian Bach, Ruth Holton, Marjon Strijk, Knut Schoch, Marcel Beekman, Nico Van Der Meel, Sytse Buwalda, Bas Ramselaar, Holland Boys Choir, Netherlands Bach Collegium, Pieter Jan Leusink's "J.S. Bach: Complete Sacred Cantatas Vol. 06, BWV 101-120" album is number 73 out of 124. On top of that, Netherlands appears to be the country where this track was created. Der Herr ist mein Getreuer Hirt, BWV 112: V. Choral. Gutes und die Barmherzigkeit (Coro) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Der Herr ist mein Getreuer Hirt, BWV 112: V. Choral. Gutes und die Barmherzigkeit (Coro) by Johann Sebastian Bach, Holland Boys Choir, Netherlands Bach Collegium, Pieter Jan Leusink to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 5 in A Major, Op. 17, No. 5: I. Allegro | Johann Christian Bach, Daniil Trifonov | A Major | 1 | 11B | 135 BPM | ||
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM | ||
Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | G Major | 4 | 9B | 92 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro | Johann Sebastian Bach, Michel Piguet, Sabine Weill, Jaap Schröder, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 81 BPM | ||
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Bach, JS: Concerto for Four Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, Jean-Pierre Wallez, Bruno Rigutto, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris | B Minor | 1 | 10A | 66 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Concerto for Harpsichord, 2 Recorders, Strings, and Continuo No. 6 in F, BWV 1057: 1. -- | Johann Sebastian Bach, András Schiff, Thierry Fischer, Catherine Touraire-Stutz, Chamber Orchestra of Europe | G Minor | 3 | 6A | 120 BPM |