"Piano Sonata No. 3 in G Major, Op. 1, No. 3: III. Menuetto" by Johann Samuel Schroeter, Luigi Gerosa was released on January 1, 2009. With this song being about 5 minutes long, at 5:21, "Piano Sonata No. 3 in G Major, Op. 1, No. 3: III. Menuetto" by Johann Samuel Schroeter, Luigi Gerosa is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Schroeter, J.S.: Piano Sonatas, Op. 1 (Complete)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Italy. The popularity of Piano Sonata No. 3 in G Major, Op. 1, No. 3: III. Menuetto is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Sonata No. 3 in G Major, Op. 1, No. 3: III. Menuetto by Johann Samuel Schroeter, Luigi Gerosa having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven - Turkish March from Die Ruinen von Athen | Anton Rubinstein, Zora Mihailovich | F Major | 2 | 7B | 80 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
Orchestral Suite in C Major, TWV 55:C3 "Hamburger Ebb und Fluth": VII. Der sturmende Aeolus | Georg Philipp Telemann, Stefano Bagliano, Collegium Pro Musica | F♯ Major | 4 | 2B | 140 BPM | ||
Concerto for Oboe and Orchestra in C Major: I. Allegro con brio | Franz Anton Hoffmeister, Albrecht Mayer, Kammerakademie Potsdam | C Major | 1 | 8B | 140 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 95 BPM | ||
Petite Suite No. 1: En bateau (arr. for flute and harp) | Nora Mercz, Claude Debussy, Janos Balint | G Major | 0 | 9B | 173 BPM | ||
Moravske dvojzpevy (Moravian Duets), Op. 38, B. 69: No. 3. Kranzlein (The Harvesters) | Antonín Dvořák, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | A Major | 0 | 11B | 101 BPM | ||
Violin Concerto No. 1 in D Major, Op. 6: II. Adagio | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 1 | 10A | 125 BPM | ||
Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen | Robert Schumann, Lise de la Salle | G Major | 0 | 9B | 171 BPM |
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