"Thou knowest, Lord, the secrets of our hearts - 1695 version" by The Sixteen was released on September 1, 2009. The duration of Thou knowest, Lord, the secrets of our hearts - 1695 version is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Thou knowest, Lord, the secrets of our hearts - 1695 version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Sounds Sublime". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Thou knowest, Lord, the secrets of our hearts - 1695 version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Thou knowest, Lord, the secrets of our hearts - 1695 version by The Sixteen having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Euridice, Prologo - La Tragedia: Io che d'alti sospir | Jacopo Peri, Ensemble Albalonga, Aníbal E. Cetrangolo, Sylva Pozzer | F Major | 0 | 7B | 98 BPM | ||
Arvo Pärt: Bogoróditse Dévo | Arvo Pärt, Schola Cantorum, Tone Bianca Sparre Dahl | A Major | 1 | 11B | 100 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Evening Service In G Minor (Z.231): Magnificat | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
Coronation Anthem - The King Shall Rejoice, HWV260: Glory and worship | The Sixteen | D♭ Major | 2 | 3B | 71 BPM | ||
Communion: O sacrum convivium à 5 | Andrea Gabrieli, Gabrieli, Paul McCreesh | C Major | 0 | 8B | 135 BPM | ||
Cantata II: Ad genua (To the Knees): Ad ubera portabimini - Chorus | The Sixteen | D Major | 1 | 10B | 112 BPM | ||
Lux aeterna (choral arr. of Elgar's Nimrod Variation) | John Cameron, Choir of St John's, Elora, Noel Edison | D♭ Major | 1 | 3B | 84 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM |
Section: 0.728276252746582
End: 0.7338042259216309