"I Should for Grief and Anguish" by Thomas Morley, Fair Oriana was released on September 3, 2021. The duration of I Should for Grief and Anguish is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. I Should for Grief and Anguish's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Two Voices". In this album, this song's track order is #19. Based on our statistics, I Should for Grief and Anguish's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I Should for Grief and Anguish by Thomas Morley, Fair Oriana having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viderunt omnes... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 141 BPM | ||
Queine of Ingland's Pavan & Gallyard | Anon, Trinity Baroque, The Forbury Consort, Alan Crumpler, Julian Podger, The Holbein Consort, Martin Pope, Steven Player | A Minor | 1 | 8A | 89 BPM | ||
Canzon seconda | Giovanni Gabrieli, Flanders Recorder Quartet | A♭ Major | 0 | 4B | 66 BPM | ||
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM | ||
Miserere mei, Deus | Christopher Tye, The Choir of Magdalen College, Oxford, Bill Ives | B Minor | 2 | 10A | 88 BPM | ||
I love, alas, I love thee | Thomas Morley, Amarcord | B Major | 3 | 1B | 111 BPM | ||
Mal un muta per effecto | Marchetto Cara, Shirley Rumsey | A Minor | 0 | 8A | 97 BPM | ||
The Heart's Reflection | Daniel Elder, Westminster Choir, Joe Miller | D Major | 1 | 10B | 123 BPM | ||
My Lord Willoughby's welcome home | John Dowland, Trinity Baroque, Alan Crumpler, Martin Pope, Julian Podger, The Holbein Consort, Steven Player, The Forbury Consort | G Major | 0 | 9B | 133 BPM | ||
L'Euridice, prologo: Aria di Romanesca | Giulio Caccini, Scherzi Musicali, Nicolas Achten | G Minor | 0 | 6A | 79 BPM |
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