"Benvenuto Cellini / Act 1: "Bien , bien, bien" - "Il plaît fort au vieil homme"" by Hector Berlioz, Jules Bastin, Christiane Eda-Pierre, Robert Massard, Chorus of the Royal Opera House, Covent Garden, BBC Symphony Orchestra, Sir Colin Davis was released on January 1, 1972. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 45 in Berlioz: Benvenuto Cellini by Hector Berlioz, Nicolai Gedda, Christiane Eda-Pierre, Jane Berbié, Roger Soyer, Robert Massard, Chorus of the Royal Opera House, Covent Garden, BBC Symphony Orchestra, Sir Colin Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Benvenuto Cellini / Act 1: "Bien , bien, bien" - "Il plaît fort au vieil homme" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Benvenuto Cellini / Act 1: "Bien , bien, bien" - "Il plaît fort au vieil homme" by Hector Berlioz, Jules Bastin, Christiane Eda-Pierre, Robert Massard, Chorus of the Royal Opera House, Covent Garden, BBC Symphony Orchestra, Sir Colin Davis is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 4: "À la voûte azurée" (Méphistophélès, Faust) | Hector Berlioz, John Nelson, Michael Spyres, Nicolas Courjal, Orchestre Philharmonique De Strasbourg | G Minor | 2 | 6A | 87 BPM | ||
Salome, Op. 54, TrV 215 / Scene 4: Salome's Dance of the Seven Veils | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 67 BPM | ||
Rachmaninov: Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F Major | 1 | 7B | 142 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 0 | 9B | 92 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
Requiem in D Minor, K. 626: 3. Sequentia: Tuba mirum - Live | Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | B♭ Major | 1 | 6B | 86 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: "Allons, il est trop tard !" (Méphistophélès, Marguerite, Faust, Chorus) | Hector Berlioz, John Nelson, Joyce DiDonato, Michael Spyres, Nicolas Courjal, Orchestre Philharmonique De Strasbourg | F Major | 3 | 7B | 116 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM |
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