Tomaso Albinoni, Luciano Miotto, Ji Eun Kim, Orchestra Barocca Giuseppe Nicolini, Michele Nitti's 'Pimpinone: Intermezzo II: Aria: Guarda un poco (Pimpinone)' came out on January 1, 2014. The duration of Pimpinone: Intermezzo II: Aria: Guarda un poco (Pimpinone) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Pimpinone: Intermezzo II: Aria: Guarda un poco (Pimpinone)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 17 in Albinoni: Pimpinone by Tomaso Albinoni, Michele Nitti. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. The popularity of Pimpinone: Intermezzo II: Aria: Guarda un poco (Pimpinone) is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Pimpinone: Intermezzo II: Aria: Guarda un poco (Pimpinone) by Tomaso Albinoni, Luciano Miotto, Ji Eun Kim, Orchestra Barocca Giuseppe Nicolini, Michele Nitti is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harp Concerto in A major: 3. Rondeau: Allegretto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | A Major | 1 | 11B | 97 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Albinoni: Concerto for Two Oboes in F Major, Op. 9 No. 3: II. Adagio | Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti | G Major | 2 | 9B | 133 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Concerto for 2 Oboes, Strings and Basso Continuo in D Major, Op. 9 No. 12: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | C Major | 2 | 8B | 114 BPM | ||
Oboe Concerto in D minor - Adagio | Alessandro Marcello, Senia Trubashnik, Luxembourg Radio Symphony Orchestra, Kurt Redel | C Minor | 1 | 5A | 71 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: II. Polka. Allegretto grazioso | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Minor | 2 | 7A | 86 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 128 BPM |
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