"Boccaccio: Mia bella fiorentina" by Franz von Suppé, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester was released on April 10, 2008. With this song being about 5 minutes long, at 5:25, "Boccaccio: Mia bella fiorentina" by Franz von Suppé, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Angelika Kirchschlager, Alfred Eschwe's "My Heart Alone" album is number 9 out of 16. Boccaccio: Mia bella fiorentina is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Boccaccio: Mia bella fiorentina by Franz von Suppé, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": III. Molto vivace | Antonín Dvořák, Oslo Philharmonic Orchestra, Mariss Jansons | E Minor | 1 | 9A | 132 BPM | ||
Grieg: Holberg Suite, Op. 40: I. Praeludium | Edvard Grieg, The Helsinki Strings, Géza Szilvay | A♭ Major | 0 | 4B | 84 BPM | ||
Overture "Light Cavalry" Ouverture "Die leichte Kavallerie" - Instrumental | Franz von Suppé, New York Philharmonic, Leonard Bernstein | A Major | 4 | 11B | 123 BPM | ||
Columbine Polka-Mazurka (1862) | Hans Christian Lumbye, Tivoli Symphony Orchestra | F Major | 1 | 7B | 113 BPM | ||
Miss Melanie | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 109 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Sir Thomas Beecham, French National Radio Orchestra | A Major | 2 | 11B | 74 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
Ungarische Galoppe Oder Frischka, Op. 36: No. 2 In A Major | Slovak Sinfonietta, Zilina, Johann Strauss I | E Major | 1 | 12B | 170 BPM | ||
Gold And Silver Waltz (Gold und Silber/L'or et l'argent) | Franz Lehár, Strauss Festival Orchestra, Peter Guth | C Major | 2 | 8B | 175 BPM | ||
Le nozze di Figaro, K.492 - Original version, Vienna 1786 - Act 4: Le Nozze di Figaro, K. 492 - "Contessa, perdona...Ah tutti contenti" | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, Lucia Popp, Barbara Hendricks, José van Dam, Agnes Baltsa, Felicity Palmer, Aldo Baldin, Neil Jenkins, Robert Lloyd, Donald Maxwell, Cathryn Pope, Catherine Denly, John Constable, Ruggero Raimondi | C Major | 3 | 8B | 125 BPM |
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