"Overture "Light Cavalry" Ouverture "Die leichte Kavallerie" - Instrumental" by Franz von Suppé, New York Philharmonic, Leonard Bernstein was released on 1961. Since Overture "Light Cavalry" Ouverture "Die leichte Kavallerie" - Instrumental is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Rossini - Ouvertures". In this album, this song's track order is #7. Based on our statistics, Overture "Light Cavalry" Ouverture "Die leichte Kavallerie" - Instrumental's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Overture "Light Cavalry" Ouverture "Die leichte Kavallerie" - Instrumental by Franz von Suppé, New York Philharmonic, Leonard Bernstein having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaite Parisienne (after J. Offenbach): 1. Allegro brillante | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | G Major | 3 | 9B | 113 BPM | ||
Requiem aeternam: Dies irae | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 3 | 7A | 88 BPM | ||
Light Cavalry Overture | Franz von Suppé, Royal Philharmonic Orchestra, Philip Ellis | A Major | 3 | 11B | 85 BPM | ||
Karelia Suite, Op. 11: III. Alla marcia | Jean Sibelius, Raimo Laukka, Lahti Symphony Orchestra, Osmo Vänskä | A Major | 2 | 11B | 179 BPM | ||
Dronning Louise Vals (1868) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 105 BPM | ||
21 Hungarian Dances, WoO 1 - Orchestral Version: No. 5 in G Minor | Johannes Brahms, Gewandhausorchester Leipzig, Kurt Masur | G Minor | 1 | 6A | 142 BPM | ||
Handel: Music for the Royal Fireworks, HWV 351: I. Overture (Adagio) | George Frideric Handel, Alison Balsom, Balsom Ensemble, Simon Wright | D♭ Major | 3 | 3B | 87 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
En Sommernat På Møns Klint, Fantasi (1843) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 3 | 12B | 148 BPM | ||
Bizet: Carmen: Prelude - Act One | Georges Bizet, Orchestra of the Royal Opera House, Covent Garden | A Minor | 3 | 8A | 118 BPM |
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