"Dido and Aeneas, Z. 626: Dido's Lament (The Downfall - Der Untergang)" by Henry Purcell, Kym Amps, The Scholars Baroque Ensemble was released on June 20, 2006. With this song being about 5 minutes long, at 5:03, "Dido and Aeneas, Z. 626: Dido's Lament (The Downfall - Der Untergang)" by Henry Purcell, Kym Amps, The Scholars Baroque Ensemble is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 13 in Cinema Classics 2006 by Various Artists, Zdeněk Košler, Johannes Wildner, Michael Halasz, Will Humburg, Pier Giorgio Morandi, George Hurst, Helmut Muller-Bruhl, Victor Fedorov, Adrian Leaper. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Dido and Aeneas, Z. 626: Dido's Lament (The Downfall - Der Untergang) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dido and Aeneas, Z. 626: Dido's Lament (The Downfall - Der Untergang) by Henry Purcell, Kym Amps, The Scholars Baroque Ensemble is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | ||
O sing unto the Lord a new song | Henry Purcell, Susan Hemington Jones, Julian Podger, Charles Daniels, Peter Harvey, Christopher Purves, Gabrieli, Paul McCreesh | E Major | 1 | 12B | 108 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act III, Chorus "Great minds against themselves conspire" | Henry Purcell, Dominique Visse, John Bowen, Stephen Wallace, Lynne Dawson, Susan Bickley, René Jacobs, Maria Cristina Kiehr, Gerald Finley, Orchestra of the Age of Enlightenment, Robin Blaze, Rosemary Joshua | F♯ Minor | 1 | 11A | 75 BPM | ||
Divertimento: II. Waltz: Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
L'Aria | Heinrich Ignaz Franz von Biber, Christina Pluhar | D Minor | 1 | 7A | 86 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
The Fairy Queen, Z. 629 / Act 3: Dialog: "Now the Maids and the Men" | Henry Purcell, Timothy Penrose, David Thomas, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM |
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