"Gi´, Mi Dicon Venal" by Maria Callas was released on March 3, 2003. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Maria Callas's "Maria Callas Live in Paris 1958" album is number 14 out of 17. Based on our statistics, Gi´, Mi Dicon Venal's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gi´, Mi Dicon Venal by Maria Callas to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Carmen (1997 - Remaster), Act II: Air de la fleur: La fleur que tu m'avais jetée...Non, tu ne m'aimes pas | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | A♭ Major | 1 | 4B | 80 BPM | ||
Casta Diva, a Belloa Me Ritono | Maria Callas | F Major | 1 | 7B | 76 BPM | ||
Dvorák: Rusalka, Op. 114, Act 1: Song to the Moon | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Das Münchner Rundfunkorchester | F♯ Major | 1 | 2B | 81 BPM | ||
Rusalka, Op. 114, B. 203 / Act 1: "Mesicku na nebi hlubokém" | Antonín Dvořák, Pilar Lorengar, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Patanè | F♯ Major | 1 | 2B | 100 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 1: "Les oiseaux dans la charmille" (Olympia) | Jacques Offenbach, Mady Mesple, Jean-Pierre Marty, Orchestre du Théâtre National de l'Opéra de Paris | A♭ Major | 1 | 4B | 82 BPM | ||
Carmen: Sur les remparts de Séville | Maria Callas | C Major | 3 | 8B | 80 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | D Major | 1 | 10B | 100 BPM |
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