Chor der Staatsoper Dresden, Staatskapelle Dresden, Gary Bertini's 'L'Italiana In Algeri: " Ah, come il cor di giublio "' came out on September 22, 1997. The duration of L'Italiana In Algeri: " Ah, come il cor di giublio " is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. L'Italiana In Algeri: " Ah, come il cor di giublio "'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Rossini: L'Italiana In Algeri". In this album, this song's track order is #3. Based on our statistics, L'Italiana In Algeri: " Ah, come il cor di giublio "'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With L'Italiana In Algeri: " Ah, come il cor di giublio " by Chor der Staatsoper Dresden, Staatskapelle Dresden, Gary Bertini having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Rondine / Act 2: "Bevo al tuo fresco sorriso" | Giacomo Puccini, Renée Fleming, Jonas Kaufmann, Barbara Vignudelli, Paolo Cautoruccio, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | E♭ Major | 3 | 5B | 83 BPM | ||
Der Rosenkavalier, Op. 59 / Act 2: "Rofrano! Rofrano!" - "Mir ist die Ehre widerfahren" | Richard Strauss, Irmgard Seefried, Rita Streich, Ilona Steingruber, Staatskapelle Dresden, Karl Böhm, Chor der Staatsoper Dresden | G Major | 1 | 9B | 64 BPM | ||
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
Peer Gynt, Op. 23: Acti IV, 16, Anitra's Dance | Edvard Grieg, Esa-Pekka Salonen | A Major | 0 | 11B | 167 BPM | ||
Strauss, R: Die schweigsame Frau, Op. 80, Act II: "Potz Deubel, so hat die alte Hur diesmal doch nicht geflunkert" (Farfallo, Sir Morusus, Aminta, Vanuzzi, Morbio, Housekeeper, Barber, Henry, Chorus) | Richard Strauss, Theo Adam, Annelies Burmeister, Chor der Staatsoper Dresden, Eberhard Büchner, Helmut Berger-Tuna, Jeanette Scovotti, Klaus Hirte, Werner Haseleu, Wolfgang Schöne, Marek Janowski, Staatskapelle Dresden | D Minor | 2 | 7A | 72 BPM | ||
Die verkaufte Braut, JB 1:100, Act III: "Kommen wir gerne, so kommen wir gleich - Seid ohne Furcht!" | Chor der Staatsoper Dresden, Staatskapelle Dresden, Otmar Suitner, Anny Schlemm, Annelies Burmeister, Theo Adam | C Major | 4 | 8B | 94 BPM | ||
Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | E♭ Major | 0 | 5B | 135 BPM | ||
La traviata / Act I: "Follie! Delirio vano è questo!... Sempre libera" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 1 | 4B | 117 BPM | ||
Louise / Act 3: "Depuis le jour" | Gustave Charpentier, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 89 BPM | ||
Elgar: Sea Pictures, Op. 37: II. In Haven "Capri", "Closely let me hold thy hand" (Allegretto) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 66 BPM |
Section: 0.8359899520874023
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