"Concerto for Harp In B-Flat Major, Op. 4, No 6 HWV 294: I. Andante allegro" by George Frideric Handel, Valérie Milot, Bernard Labadie was released on October 29, 2013. Concerto for Harp In B-Flat Major, Op. 4, No 6 HWV 294: I. Andante allegro is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The track order of this song in Valérie Milot, Les Violons du Roy, Bernard Labadie's "Harp Concertos: Mozart - Handel - Boieldieu" album is number 1 out of 9. On top of that, Canada appears to be the country where this track was created. In terms of popularity, Concerto for Harp In B-Flat Major, Op. 4, No 6 HWV 294: I. Andante allegro is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concerto for Harp In B-Flat Major, Op. 4, No 6 HWV 294: I. Andante allegro by George Frideric Handel, Valérie Milot, Bernard Labadie to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 1, Op. 13: III. Nocturne | Jules Massenet, New Zealand Symphony Orchestra, Jean-Yves Ossonce | A♭ Major | 0 | 4B | 85 BPM | ||
Casta Diva from Norma | Vincenzo Bellini, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 177 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: 3. Finale (Allegro energico) | Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino | G Major | 3 | 9B | 68 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto | Frédéric Chopin, Benjamin Grosvenor, Royal Scottish National Orchestra, Elim Chan | E Major | 0 | 12B | 61 BPM | ||
Menuet en Sol Mineur, Transcription de Wilhem Kempff d’après Le Menuet de la Suite en Si Bémol Majeur No. 1, HWV 434, 1er Cahier | George Frideric Handel, Anne Queffélec | G Minor | 0 | 6A | 69 BPM | ||
Acis and Galatea, HWV 49a, Act II: Wretched Lovers! (Chorus) | George Frideric Handel, John Gay, Ovid, The Sixteen, Harry Christophers, Jeremy Budd, Grace Davidson, Stuart Young, Mark Dobell, Simon Berridge | A Major | 2 | 11B | 129 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Vaughan Williams: The Lark Ascending (Excerpt) | Ralph Vaughan Williams, Andrew Davis, Tasmin Little, BBC Symphony Orchestra | E Minor | 0 | 9A | 174 BPM | ||
Symphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assai | William Boyce, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 131 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: 3. Allegro gentile | Joaquín Rodrigo, Pepe Romero, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 156 BPM |
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