"Ruddigore: Dialogue: "Stop a bit!"" by Sir Arthur Sullivan, Arthur Sullivan, Ohio Light Opera, Michael Borowitz was released on December 1, 2009. With Ruddigore: Dialogue: "Stop a bit!" being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Ruddigore". In this album, this song's track order is #15. In terms of popularity, Ruddigore: Dialogue: "Stop a bit!" is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Ruddigore: Dialogue: "Stop a bit!" by Sir Arthur Sullivan, Arthur Sullivan, Ohio Light Opera, Michael Borowitz having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Songs from A Shropshire Lad: No. 2. When I was one-and-twenty | George Butterworth, Roderick Williams, Iain Burnside | B Minor | 1 | 10A | 165 BPM | ||
Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Benedictus - Moderato - Allegro | American Bach Soloists, Tamara Matthews, Jeffrey Thomas | E♭ Major | 0 | 5B | 76 BPM | ||
Schubert: Stabat Mater in F Minor, D. 383: No. 7, Chor. "Erben sollen sie am Throne" | Franz Schubert, Symphonieorchester des Bayerischen Rundfunks/Wolfgang Sawallisch/Helen Donath/Josef Protschka/Dietrich Fischer-Dieskau/Chor des Bayerischen Rundfunks, Bavarian Radio Chorus, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra | A♭ Major | 1 | 4B | 62 BPM | ||
Hoffmanns Erzählungen (Les Contes d'Hoffmann): "Aus dem Keller kommt hervor, Geister des Weines!" | Jacques Offenbach, Orchester der Deutschen Oper Berlin, Richard Kraus, RIAS Kammerchor, Günther Arndt | C Major | 3 | 8B | 120 BPM | ||
Ruddigore: Dialogue: "Whither away?" | Sir Arthur Sullivan, Arthur Sullivan, Ohio Light Opera, Michael Borowitz | B♭ Minor | 0 | 3A | 67 BPM | ||
Elias, Op. 70: Part I: Introduction - so wahr der Herr, der Gott Israels, lebt (Rec.) | Felix Mendelssohn, Karl-Friedrich Beringer | C Major | 1 | 8B | 104 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act II Scene 3: Mein Sehnen, mein Wahnen (Fritz, Women's Choir) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | D♭ Major | 1 | 3B | 169 BPM | ||
Lehár: Zigeunerliebe: "Hör ich Cymbalklänge" (Ilona) | Franz Lehár, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Joshua, HWV 64, Pt. 3: No. 65, Oh, had I Jubal's lyre | George Frideric Handel, Pretty Yende, Coronation Orchestra, Antonio Pappano | A Major | 1 | 11B | 118 BPM | ||
Puts: The Hours, Act 1: "Missus Dalloway Said She Would Buy the Flowers Herself" (Laura, Virginia, Chorus, Dan, Richie) [Live] | Kevin Puts, Yannick Nézet-Séguin, Brandon Cedel, Joyce DiDonato, Kai Edgar, Kelli O'Hara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra | A♭ Minor | 1 | 1A | 113 BPM |
Section: 0.8950409889221191
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