Davitt Moroney made "Suite in C major (Paris, 1702-3): Gavotte; Double" available on January 1, 2007. With Suite in C major (Paris, 1702-3): Gavotte; Double being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Davitt Moroney's "Le Clavecin Français: Louis Marchand & Louis-Nicolas Clérambault" album is number 27 out of 36. Based on our statistics, Suite in C major (Paris, 1702-3): Gavotte; Double's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Suite in C major (Paris, 1702-3): Gavotte; Double by Davitt Moroney to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata seconda du IIème Livre de Sonates à violon seul et basse continue: Andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
Cello Sonata in B-Flat Major, Op. 14 No. 1, RV 47: II. Allegro | Antonio Vivaldi, Antonio Mostacci, Bologna Baroque | B♭ Major | 2 | 6B | 182 BPM | ||
Suite en la majeur: Gavotte en rondeau | Nicholas Siret, Davitt Moroney | A♭ Major | 3 | 4B | 137 BPM | ||
Ouverture in E Minor: II. Les plaisirs | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 2 | 7A | 114 BPM | ||
Minuet in A Minor, Z. 650 (Arr. M. Köll for Harp) | Henry Purcell, Margret Köll | A Minor | 0 | 8A | 113 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Allegro | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F♯ Major | 4 | 2B | 129 BPM | ||
Harpsichord Suite No. 3 in A Minor: I. Prelude | Élisabeth Jacquet de La Guerre, Daniela Dolci | A♭ Major | 2 | 4B | 76 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM |
Section: 1.011216402053833
End: 1.016451120376587