"Eyn Newes Sehr Künstlichs Lautenbuch, 1552: Preambel - Recercar Quarto" by Simon Gintzler, Joachim Held was released on May 28, 2021. The duration of Eyn Newes Sehr Künstlichs Lautenbuch, 1552: Preambel - Recercar Quarto is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Eyn Newes Sehr Künstlichs Lautenbuch, 1552: Preambel - Recercar Quarto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Nach Willen Dein". In this album, this song's track order is #37. Furthermore, we believe that the track originated from Germany. The popularity of Eyn Newes Sehr Künstlichs Lautenbuch, 1552: Preambel - Recercar Quarto is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eyn Newes Sehr Künstlichs Lautenbuch, 1552: Preambel - Recercar Quarto by Simon Gintzler, Joachim Held having a BPM of 203 with a half-time of 102 BPM and a double-time of 406 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Duets for 2 Lutes in a minor and F Major (Losy) - Gavotte | Edward Martin and Paul Berget | B Major | 1 | 1B | 111 BPM | ||
Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Dances: Sighes | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | C Major | 1 | 8B | 85 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
Royal Consort in D Minor for 2 theorbos: V. Corant II | William Lawes, Jacob Heringman, David Miller, The Rose Consort Of Viols | D♭ Major | 2 | 3B | 55 BPM | ||
Now Is the Month of Maying | Thomas Morley, Hannah Morrison, Marnix De Cat, Hathor Consort, Romina Lischka | F♯ Major | 3 | 2B | 202 BPM | ||
Piva for Lute & Bass Viol | Joan Ambrosio Dalza, Geneva Baroque Duo | D♭ Major | 2 | 3B | 135 BPM | ||
Chamber Sonata No. 1 in B-Flat Major: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 1 | 11A | 88 BPM | ||
Distressed Innocence, Z. 577: Air II | Henry Purcell, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 125 BPM | ||
Sonata in A Minor: III. Largo | Benedetto Marcello, Hanna Salzenstein, Thibaut Roussel | D♭ Minor | 6 | 12A | 157 BPM |
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