Adam Václav Michna z Otradovic, Ritornello, Michael Pospíšil made "Loutna česká: Intrada" available on September 2, 1996. With Loutna česká: Intrada being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Adam Václav Michna z Otradovic, Michael Pospíšil, Ritornello's "Michna Loutna česká (The czech lute)" album is number 1 out of 14. On top of that, Czechia appears to be the country where this track was created. In terms of popularity, Loutna česká: Intrada is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Loutna česká: Intrada by Adam Václav Michna z Otradovic, Ritornello, Michael Pospíšil to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salvator mundi I | Quire of Voyces | A♭ Minor | 3 | 1A | 94 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 111 BPM | ||
Laudate Pueri: VIII. Sicut erat | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Christi crux | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
Stabat Mater in G Minor: V. Vidit suum | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Major | 2 | 1B | 81 BPM | ||
Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen" | Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger Speck | G Major | 2 | 9B | 129 BPM | ||
Missa Sancti Pauli: No. 5, Et in terra pax | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | G Major | 3 | 9B | 120 BPM | ||
Vårmorgonen | Karl-Erik Welin, Meng Hao-Jan, Storkyrkans Kör, Gustaf Sjokvist | E Minor | 0 | 9A | 76 BPM | ||
When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | ||
All'imperio d'Amore: 9. O Giovenil ardire a 10 "I Fabii" | Alessandro Striggio, Ensemble Pygmalion, Raphael Pichon | G Major | 1 | 9B | 95 BPM |
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