Arcangelo Corelli, Yehudi Menuhin's 'Corelli /Arr Donington: Violin Sonata Op. 5 No. 5 in G Minor: I. Adagio' came out on January 22, 2016. The duration of Corelli /Arr Donington: Violin Sonata Op. 5 No. 5 in G Minor: I. Adagio is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Corelli /Arr Donington: Violin Sonata Op. 5 No. 5 in G Minor: I. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 53 in Corelli: 12 Violin Sonatas, Op. 5 by Arcangelo Corelli, Yehudi Menuhin. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Corelli /Arr Donington: Violin Sonata Op. 5 No. 5 in G Minor: I. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Corelli /Arr Donington: Violin Sonata Op. 5 No. 5 in G Minor: I. Adagio by Arcangelo Corelli, Yehudi Menuhin is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Acis and Galatea, HWV 49b: Sinfonia | George Frideric Handel, Kym Amps, Angus Davidson, Robin Doveton, David van Asch, The Scholars Baroque Ensemble | G Major | 5 | 9B | 140 BPM | ||
Concerto Grosso in A Minor for Two Violins, Op. 3 No. 8: Allegro | David Oistrakh, Igor Oistrakh | A Minor | 2 | 8A | 96 BPM | ||
Sonate A Violino E Violoncello O Cimbalo Opus V, Sonate 2 In B Flat Major: Vivace | Jaap Ter Linden, Mike Fentross, Rémy Baudet, Arcangelo Corelli, Pieter-Jan Belder | A♭ Major | 2 | 4B | 90 BPM |
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