Sir Roger Norrington, Stuttgart Radio Symphony Orchestra's 'Symphonie No. 8 En Ré, KV 48: Andante' came out on May 30, 2008. The duration of Symphonie No. 8 En Ré, KV 48: Andante is about 3 minutes long, at 3:16. Based on our data, "Symphonie No. 8 En Ré, KV 48: Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Mozart Pour Mon Bébé" album is number 6 out of 36. In terms of popularity, Symphonie No. 8 En Ré, KV 48: Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonie No. 8 En Ré, KV 48: Andante by Sir Roger Norrington, Stuttgart Radio Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
L'horloge de Flore: II. 05.00 Cupidone Bleue | Jean Françaix, Lajos Lencsés, Stuttgart Radio Symphony Orchestra, Uri Segal | D Minor | 2 | 7A | 145 BPM | ||
Requiem for Rossini: II. Sequenz: Confutatis in D Major | Raimondo Boucheron, Aage Haugland, Prague Philharmonic Chorus, Gächinger Kantorei Stuttgart, Stuttgart Radio Symphony Orchestra, Helmuth Rilling | C Minor | 2 | 5A | 109 BPM | ||
Horn Concerto No. 3 in E-Flat Major, K. 447: III. Allegro | Wolfgang Amadeus Mozart, Dennis Brain, Stuttgart Radio Symphony Orchestra, Hans Müller-Kray | D Major | 1 | 10B | 75 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio | Ludwig van Beethoven, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | A Major | 3 | 11B | 74 BPM | ||
Symphony No. 8 in E Minor, Op. 48: I. Largo | Kurt Atterberg, Stuttgart Radio Symphony Orchestra, Ari Rasilainen | A Minor | 3 | 8A | 91 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 3 | 8B | 83 BPM | ||
Concerto for Coloratura & Orchestra, Op. 82: II. Allegro | Reinhold Glière, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | F Major | 1 | 7B | 86 BPM | ||
L'Arlésienne Suite No.1: Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM |
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