"Rappresentatione di anima et di corpo, Atto II Scena 5: "Alme beate e belle" (L'Intelletto)" by Emilio de' Cavalieri, Mark Milhofer, Johannes Weisser, Marie-Claude Chappuis, Gyula Orendt, Akademie für Alte Musik Berlin, René Jacobs was released on February 23, 2015. The duration of Rappresentatione di anima et di corpo, Atto II Scena 5: "Alme beate e belle" (L'Intelletto) is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Rappresentatione di anima et di corpo, Atto II Scena 5: "Alme beate e belle" (L'Intelletto)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 29 in Cavalieri: Rappresentatione di anima et di corpo by Emilio de' Cavalieri, René Jacobs, Marie-Claude Chappuis, Johannes Weisser, Akademie für Alte Musik Berlin, Chor der Deutschen Staatsoper Berlin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Rappresentatione di anima et di corpo, Atto II Scena 5: "Alme beate e belle" (L'Intelletto) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rappresentatione di anima et di corpo, Atto II Scena 5: "Alme beate e belle" (L'Intelletto) by Emilio de' Cavalieri, Mark Milhofer, Johannes Weisser, Marie-Claude Chappuis, Gyula Orendt, Akademie für Alte Musik Berlin, René Jacobs is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
Rappresentatione di anima et di corpo, Atto II: Sinfonia | Emilio de' Cavalieri, Akademie für Alte Musik Berlin, René Jacobs | G Major | 0 | 9B | 72 BPM | ||
Rappresentatione di anima, et di corpo: Ahi! Chi mi da consiglio (Live) | Emilio de' Cavalieri, Roberto Mattei, Le Istitutioni Harmoniche, Ensemble di Viole dell'Accademia Strumentale Italiana, Marco Longhini | G Major | 1 | 9B | 116 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Rappresentatione di anima, et di corpo: Alme ch' in ciel godete (Live) | Emilio de' Cavalieri, Claudio Cavina, Berta Rossetti, Le Istitutioni Harmoniche, Ensemble di Viole dell'Accademia Strumentale Italiana, Marco Longhini | G Major | 1 | 9B | 121 BPM | ||
Tout par compas, Fol. 12 (Rondeau/Canon) | Baude Cordier, Tetraktys | E Minor | 9 | 9A | 135 BPM | ||
ll est bel et bon, commere, mon mary: Il est bel et bon | Pierre Passereau, Scholars of London | C Minor | 3 | 5A | 135 BPM | ||
Messe de Nostre Dame: Credo | Guillaume de Machaut, Oxford Camerata, Jeremy Summerly | C Major | 1 | 8B | 75 BPM | ||
Burial Service: Thou knowest, Lord, the secrets of our hearts, Z. 58C | Henry Purcell, Oxford Camerata, Laurence Cummings, Jeremy Summerly | C Minor | 0 | 5A | 85 BPM | ||
D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM |
Section: 0.6465575695037842
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