"Organ Concerto No. 4 in F Major, Op. 4, No. 4, HWV 292: I. Allegro" by George Frideric Handel, Gabor Lehotka, Budapest Strings, Karoly Botvay was released on January 1, 1990. With this song being about 5 minutes long, at 4:56, "Organ Concerto No. 4 in F Major, Op. 4, No. 4, HWV 292: I. Allegro" by George Frideric Handel, Gabor Lehotka, Budapest Strings, Karoly Botvay is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Gabor Lehotka, Karoly Botvay, Max Pommer's "Handel, G.F.: Organ Concertos, Op. 4, Nos. 2, 4, 5 and Op. 7, No. 4" album is number 1 out of 14. On top of that, United States appears to be the country where this track was created. In terms of popularity, Organ Concerto No. 4 in F Major, Op. 4, No. 4, HWV 292: I. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Organ Concerto No. 4 in F Major, Op. 4, No. 4, HWV 292: I. Allegro by George Frideric Handel, Gabor Lehotka, Budapest Strings, Karoly Botvay to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Il Floridante, HWV 14 / Act 3: Rec. "Oh sventuratie vani disegni" | George Frideric Handel, Sharon Rostorf-Zamir, Joyce DiDonato, Riccardo Novaro, Il Complesso Barocco, Alan Curtis | A♭ Minor | 1 | 1A | 103 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) | Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Handel: Music for the Royal Fireworks, HWV 351: I. Overture (Adagio) | George Frideric Handel, Alison Balsom, Balsom Ensemble, Simon Wright | D♭ Major | 3 | 3B | 87 BPM | ||
Concerto Grosso in D Minor, H. 143 "La Folia" (after Corelli Violin Sonata, Op. 5 No. 12): Theme & Var. I - VII | Francesco Geminiani, Nicola Benedetti, Benedetti Baroque Orchestra | D♭ Minor | 3 | 12A | 147 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM |
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