Johann Gottlieb Graun, Georgina McKay Lodge, Eva Lymenstull, David Schulenberg, Augusta McKay Lodge's 'Sonata in C Minor, GWV AvV:20:: I. Adagio e mesto' came out on April 30, 2021. With this song being about 5 minutes long, at 4:41, "Sonata in C Minor, GWV AvV:20:: I. Adagio e mesto" by Johann Gottlieb Graun, Georgina McKay Lodge, Eva Lymenstull, David Schulenberg, Augusta McKay Lodge is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Georgina McKay Lodge, Eva Lymenstull, David Schulenberg, Augusta McKay Lodge's "J.G. Graun: Chamber Music" album is number 4 out of 18. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Sonata in C Minor, GWV AvV:20:: I. Adagio e mesto's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sonata in C Minor, GWV AvV:20:: I. Adagio e mesto by Johann Gottlieb Graun, Georgina McKay Lodge, Eva Lymenstull, David Schulenberg, Augusta McKay Lodge to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 8 in A Minor, RV 522 from J.S. Bach, BWV 593: II. Adagio | Johann Sebastian Bach, Antonio Vivaldi, Giuseppe Torelli, Johann Gottlieb Graun, George Frideric Handel, Manuel Tomadin | B♭ Minor | 0 | 3A | 121 BPM | ||
Suitte en Trio No. 2 in A Major, Op. 1: II. Allemande | Louis-Antoine Dornel, Musica Barocca | E♭ Major | 2 | 5B | 131 BPM | ||
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Concerto a 5 in G Minor: I. Allegro | Carl Heinrich Graun, Johann Gottlieb Graun, Xenia Löffler, Batzdorfer Hofkapelle | F♯ Minor | 1 | 11A | 172 BPM | ||
Concerto 2 in D Major, Op. 7: III. Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 0 | 3A | 112 BPM | ||
Flute Concerto in D Minor, QV 5:81: I. Allegro e con spirito | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | C Minor | 1 | 5A | 92 BPM | ||
Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [2] | Charles Avison, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Oboe Quartet in D Minor: I. Poco allegro | Johann Friedrich Fasch, Epoca Barocca | D♭ Minor | 2 | 12A | 101 BPM | ||
Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 120 BPM | ||
Concerto 1 in D Minor, Op. 7: III. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 142 BPM |
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